Fiction is open to whoever comes in the door, as long as you come in energetically.
GEORGE SAUNDERSI always cheerfully say, “Well, you know, the species is adapting, and whatever it needs to do, it’ll do,” but I do think it’s maybe a little bit alarming.
More George Saunders Quotes
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All traditions are also full of meanness for the sake of meanness.
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One way or the other; whether you get it or don’t get it, there’s a cost. That’s just basic responsibility, to admit that there’s a cost. And the bad karma is when you pretend that the thing is free.
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I find that the great artists I’ve met are people who are so playfully invested in their process that, even if it doesn’t come out the way they like, they still power through and even take energy from it.
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I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
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In the absolute sense – kind of from the God’s-eye view – God might feel like, “I made this thing that has all of that in it, all the horror and all the beauty.”
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Humor is what happens when we’re told the truth quicker and more directly than we’re used to.
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I always describe writing a story as throwing bowling pins in the air and then catching them.
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You can say you’re a liberal and everybody laughs and it’s a good time.
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I’m not a big fan of my books going on cross-country road trips. They get arrogant and, next thing, start aspiring to become ‘large-print’ books. I say, let them stay home and be regular small-print books.
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I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.
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The greatest thing about writing a book is that at first it’s all inchoate, but the more you work on it, the more the book teaches you its internal rules.
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I’m getting anxious, I’m getting more manic. Now, I’m an extreme case because I’m old and I’m overdoing it. But still, it’s really interesting that I can actually feel a change in my neurochemistry from this interaction with the technology.
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You can see a whole book as a series of creating an expectation and then delivering a skew on that expectation so it’s not totally satisfied.
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Whatever you love, that will be an influence. It just will. So in effect the young writer’s job is: go out and find some stuff to love.
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Compassion doesn’t have to be weak or enabling; it can also be quite bold.
GEORGE SAUNDERS