I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
GEORGE SAUNDERSIn the moment of reading, the writer comes up to the surface and the reader comes up to the surface and they kiss, like two fish. That actually does happen.
More George Saunders Quotes
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I do find the values in A Christmas Carol significant. It is important not to be mean and stingy and not to give up love for money.
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If you bring forth what is within you, it will save you. If you do not bring it forth, it will destroy you.
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Twitter is a deliberate abstention. Somehow I hate the idea of there always being, in the back of my mind, this little voice saying: ‘Oh, I should tweet about this.’
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As a writer I’m essentially just trying to impersonate a first-time reader, who picks up the story and has to decide, at every point, whether to keep going.
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When you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That’s actually where it all comes from.
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If you’re going to make an emotional connection with somebody, whether it’s in the story or in the world, there’s a certain amount of self-acceptance that is required.
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Our first responsibility in all things is to preserve our goodness of heart – then and only then act.
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What’s really baffling to me is the way that the technology has risen up to help us become more materialistic.
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I was a straight arrow, a control freak. I didn’t do drugs or drink, and this was the ’70s. I didn’t like the loss of control. Which isn’t exactly right, because I didn’t know what happened when you did drugs.
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…There is no end to the making and selling of things there is no end to the making and selling of things there is no end… Man, it occurs to me, is a joyful, buying-and-selling piece of work. I have been wrong, dead wrong, when I’ve decried consumerism.
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I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
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A culture’s ability to understand the world and itself is critical to its survival. But today we are led into the arena of public debate by seers whose main gift is their ability to compel people to continue to watch them.
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[Writing] is almost like those boats that sit really low in the water; they look kind of ugly. And then you get one of them up to 80 miles an hour and the hull comes up, and it’s a beautiful thing. I’m okay with that for myself.
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That’s the only way that I can figure out how to live, is to say, “Well, I don’t know what this adds up to, but I can do the best I can.”
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Chekhov – shall I be blunt? – is the greatest short story writer who ever lived.
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