I actually believe that a lot of what people call originality has to do with persistence in the craft.
GEORGE SAUNDERSWhenever you talk about writing I think you have to remember that it all has a big question mark over it – every word has a big question mark over it.
More George Saunders Quotes
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At times, they’re so Right and I’m so Left, we agree.
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I don’t feel like I have the intelligence to really inhabit a consistently high level of prose.
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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When you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That’s actually where it all comes from.
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Early on, a story’s meaning and rationale seem pretty obvious, but then, as I write it, I realize that I know the meaning/rationale too well, which means that the reader will also know it – and so things have to be ramped up.
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You can say you’re a liberal and everybody laughs and it’s a good time.
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I had an experience a few years ago where I was on a plane in which one of the engines went out. I couldn’t even remember my name. I was just repeating the word no over and over.
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Whatever happens when we die, it would be really weird if it was what we had expected. Even if you were a lifelong Christian believer, it would be kind of weird if there actually were pearly gates.
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If I can be more efficient, I’m actually being more respectful to the reader, which then implies a greater intimacy with the reader.
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The one thing about A Christmas Carol that always bothers me is that Cratchit is so sweet and perfect. He’s like an Ivy League kid who just is labeled “poor.” He doesn’t have any bad habits. He’s never cranky with his kids.
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The one thing I noticed retroactively was that the energy at those Trump rallies was off the charts compared to the Hillary Clinton rallies. The Bernie Sanders energy was as good, gentler, but there was a real passion there.
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Whatever you love, that will be an influence. It just will. So in effect the young writer’s job is: go out and find some stuff to love.
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Our first responsibility in all things is to preserve our goodness of heart – then and only then act.
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Someone told me once – I mean I said, “Is it ok that I don’t really know what the three-act structure is?” And he said, “It’s basically: Act 1: a guy climbs up a tree; Act 2: people come and throw stuff at him; Act 3: he gets down.”
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I’ve always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
GEORGE SAUNDERS