Compassion doesn’t have to be weak or enabling; it can also be quite bold.
GEORGE SAUNDERSWhenever you talk about writing I think you have to remember that it all has a big question mark over it – every word has a big question mark over it.
More George Saunders Quotes
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Fiction is open to whoever comes in the door, as long as you come in energetically.
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Someone told me once – I mean I said, “Is it ok that I don’t really know what the three-act structure is?” And he said, “It’s basically: Act 1: a guy climbs up a tree; Act 2: people come and throw stuff at him; Act 3: he gets down.”
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I always cheerfully say, “Well, you know, the species is adapting, and whatever it needs to do, it’ll do,” but I do think it’s maybe a little bit alarming.
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All traditions are also full of meanness for the sake of meanness.
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A culture’s ability to understand the world and itself is critical to its survival. But today we are led into the arena of public debate by seers whose main gift is their ability to compel people to continue to watch them.
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“Kindness” can mean a lot of different things. In this case, I felt I had to present his [Donald Trump’s] supporters in as fair a light as possible – many of them hadn’t been interviewed before and that entailed some interviewer-courtesy in the editing and so on.
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The artist’s job, I think, is to be a conduit for mystery.
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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The one thing fiction and non-fiction writing have in common for me is that sense of trying to get the sentences to be minimal but at the same time be a little overfull – to encourage them to do a kind of poetic work.
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My heart goes out to him. Sort of. Because empathy depends on how you’ve spent your day.
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It seems to me that there are certain thoughts and vignettes and attitudes that I have always had the desire to represent.
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It was like either: (A) I was a terrible guy who was knowingly doing this rotten thing over and over, or (B) it wasn’t so rotten, really, just normal, and the way to confirm it was normal was to keep doing it, over and over.
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The idea is that what an artist lives through should broaden his notion of what it is possible for a human being to live through, and that new understanding should then get into and expand the work.
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Whatever you love, that will be an influence. It just will. So in effect the young writer’s job is: go out and find some stuff to love.
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I think it was a big revelation to me earlier in my life that people who appear to be evil are actually not. In other words, nobody wakes up in the morning and says, “Yuck, yuck, yuck, I’m gonna be evil.”
GEORGE SAUNDERS