Whatever you love, that will be an influence. It just will. So in effect the young writer’s job is: go out and find some stuff to love.
GEORGE SAUNDERS“Kindness” can mean a lot of different things. In this case, I felt I had to present his [Donald Trump’s] supporters in as fair a light as possible – many of them hadn’t been interviewed before and that entailed some interviewer-courtesy in the editing and so on.
More George Saunders Quotes
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The great American denial riff is that you can do whatever you like and you always triumph at the end. The world is saying no, you can do what you like, but there are consequences. And maturity is to be able to turn to the consequences and accept them.
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All along, my mantra was: Don’t write unless it contributes to the emotion, and do anything you do in service of the emotion only.
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Your first responsibility is to yourself and to your own goodness of heart.
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As a fiction writer, one of things you learn is God lives in specificity. You know, human kindness is increased as we pursue specificity.
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The one thing about A Christmas Carol that always bothers me is that Cratchit is so sweet and perfect. He’s like an Ivy League kid who just is labeled “poor.” He doesn’t have any bad habits. He’s never cranky with his kids.
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Developing our sympathetic compassion is not only possible but the only reason for us to be here on earth.
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I’m fascinated with actors, and I’ve never quite understood the process.
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Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like.
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Humor is what happens when we’re told the truth quicker and more directly than we’re used to.
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I see that being looked at askance as a form of elitism now, which is really scary.
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I actually believe that a lot of what people call originality has to do with persistence in the craft.
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I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
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Chekhov – shall I be blunt? – is the greatest short story writer who ever lived.
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The artist’s job, I think, is to be a conduit for mystery.
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We have to move toward specificity, intelligence, facts, proof, and mutual affection. What I think people have to do now is be very, very assertive about the utter essentiality of intellectual undertakings.
GEORGE SAUNDERS