I’m fascinated with actors, and I’ve never quite understood the process.
GEORGE SAUNDERSWe have to move toward specificity, intelligence, facts, proof, and mutual affection. What I think people have to do now is be very, very assertive about the utter essentiality of intellectual undertakings.
More George Saunders Quotes
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My idea about collections is that you write as hard as you can for some period and what you’re really doing during that time is hyper-focusing on the individual pieces – trying to make each one sit up and really do some surprising work.
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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The greatest thing about writing a book is that at first it’s all inchoate, but the more you work on it, the more the book teaches you its internal rules.
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An artist’s job is to be interested in things as they are.
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[Writing] is almost like those boats that sit really low in the water; they look kind of ugly. And then you get one of them up to 80 miles an hour and the hull comes up, and it’s a beautiful thing. I’m okay with that for myself.
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I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.
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I’ve noticed that nowadays I’m doing a lot of stuff on the phone and on the computer, which I usually wouldn’t do earlier. And I can feel my brain being rewired:
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…smile first, then speak.
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What’s really baffling to me is the way that the technology has risen up to help us become more materialistic.
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I’ve seen time and time again the way that the process of trying to say something dignifies and improves a person.
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I’m not thinking much about overall themes or preoccupations or anything like that. Instead I’m just trusting that, if I’m working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book.
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I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.
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My heart goes out to him. Sort of. Because empathy depends on how you’ve spent your day.
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When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.
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And the brevity is part of the challenge. I like stories because I get them – I know how to make beauty, or something like beauty, in that mode.
GEORGE SAUNDERS