Developing our sympathetic compassion is not only possible but the only reason for us to be here on earth.
GEORGE SAUNDERSI’ve always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
More George Saunders Quotes
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I was a big and un-ironic fan of Dear Abby when I was a kid in Chicago. I think I sort of internalized her. So I have this inner Abby: cranky, proper, folksy yet scathing, with a beehive hairdo. But that’s my issue.
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All along, my mantra was: Don’t write unless it contributes to the emotion, and do anything you do in service of the emotion only.
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I think about how I conceptualize the audience. The trick is that they’ve got to be smarter and more worldly than me. So as I’m revising, I’m keeping that in mind. I cannot condescend, even a little bit. Every single choice that I make is motivated by that.
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Whatever you love, that will be an influence. It just will. So in effect the young writer’s job is: go out and find some stuff to love.
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I read Rand and thought, “I want to be one of the earth movers, the scientific people who power the world. I don’t want to be one of these lisping liberal artsy leeches.” So I was working against my actual abilities.
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For me, when I’m coming up to a place where I have to make somebody up, it’s almost like driving and taking your hands off the wheel.
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So, good news/bad news: good news that I’m progressing; bad news that life is short and art is long.
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At times, they’re so Right and I’m so Left, we agree.
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What’s really baffling to me is the way that the technology has risen up to help us become more materialistic.
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I started out in engineering. I was a geophysical engineer. Throughout the course of my life I’ve done a lot of strange jobs, and the effect has been to make me think a little more skeptically about our capitalist society.
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“Kindness” can mean a lot of different things. In this case, I felt I had to present his [Donald Trump’s] supporters in as fair a light as possible – many of them hadn’t been interviewed before and that entailed some interviewer-courtesy in the editing and so on.
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I’m very happy – if I can do even a little bit of work to get the short story out more, I’m thrilled.
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We’re in the transition between birth and death. But the one that people often know about is the transition between the moment of death and whatever comes next, so reincarnation or heaven or hell.
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I am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that “reader” is actually just me, if I had never read the story before.
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I actually believe that a lot of what people call originality has to do with persistence in the craft.
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