If you’re going to make an emotional connection with somebody, whether it’s in the story or in the world, there’s a certain amount of self-acceptance that is required.
GEORGE SAUNDERSI’ve noticed that nowadays I’m doing a lot of stuff on the phone and on the computer, which I usually wouldn’t do earlier. And I can feel my brain being rewired:
More George Saunders Quotes
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Goodbye. I’m leaving because I’m bored.
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There’s a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him – or he starts to see it having a life of its own that doesn’t have anything to do with his ego or his desire to ‘be a good writer’.
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When I think about what fiction does morally, I’m happier thinking of a person full of multiplicities – sort of fragmented.
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I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.
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Even when the faith goes away, there’s that space where you crave something bigger than yourself. For me, that’s kind of where art came in, after that.
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The great American denial riff is that you can do whatever you like and you always triumph at the end. The world is saying no, you can do what you like, but there are consequences. And maturity is to be able to turn to the consequences and accept them.
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Reading is a form of prayer, a guided meditation that briefly makes us believe we’re someone else, disrupting the delusion that we’re permanent and at the center of the universe. Suddenly (we’re saved!) other people are real again, and we’re fond of them.
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I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
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You can see a whole book as a series of creating an expectation and then delivering a skew on that expectation so it’s not totally satisfied.
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…There is no end to the making and selling of things there is no end to the making and selling of things there is no end… Man, it occurs to me, is a joyful, buying-and-selling piece of work. I have been wrong, dead wrong, when I’ve decried consumerism.
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With nonfiction, I go in trying to be really honest about what my preconceptions are.
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When you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That’s actually where it all comes from.
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At times, they’re so Right and I’m so Left, we agree.
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All along, my mantra was: Don’t write unless it contributes to the emotion, and do anything you do in service of the emotion only.
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I was a big and un-ironic fan of Dear Abby when I was a kid in Chicago. I think I sort of internalized her. So I have this inner Abby: cranky, proper, folksy yet scathing, with a beehive hairdo. But that’s my issue.
GEORGE SAUNDERS