If a writer understands his work as something that originates with him but then, with any luck, gets away from him, then what he needs is someone who can grasp the potential of the piece and lead him to that higher ground.
GEORGE SAUNDERSThe artist’s job, I think, is to be a conduit for mystery.
More George Saunders Quotes
-
-
The one thing fiction and non-fiction writing have in common for me is that sense of trying to get the sentences to be minimal but at the same time be a little overfull – to encourage them to do a kind of poetic work.
GEORGE SAUNDERS -
I was a straight arrow, a control freak. I didn’t do drugs or drink, and this was the ’70s. I didn’t like the loss of control. Which isn’t exactly right, because I didn’t know what happened when you did drugs.
GEORGE SAUNDERS -
There comes that phase in life when, tired of losing, you decide to stop losing, then continue losing. Then you decide to really stop losing, and continue losing. The losing goes on and on so long you begin to watch with curiosity, wondering how low you can go.
GEORGE SAUNDERS -
All along, my mantra was: Don’t write unless it contributes to the emotion, and do anything you do in service of the emotion only.
GEORGE SAUNDERS -
When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.
GEORGE SAUNDERS -
The scariest thought in the world is that someday I’ll wake up and realize I’ve been sleepwalking through my life: underappreciating the people I love, making the same hurtful mistakes over and over, a slave to neuroses, fear, and the habitual.
GEORGE SAUNDERS -
So, good news/bad news: good news that I’m progressing; bad news that life is short and art is long.
GEORGE SAUNDERS -
And I have finally realized that, you know, it’s not a given that my lifespan will accommodate my writing aspirations. It could be that it would take me 12 more books at six years each to get it – which means I would have to live to be 126. Which I fully intend to do, of course.
GEORGE SAUNDERS -
I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
GEORGE SAUNDERS -
If I find myself being too earnest and sentimental and hyperbolic and simplistic, which is definitely a tendency I have, then I bring in this perverse henchman.
GEORGE SAUNDERS -
The most hopeful thing in the stories, I hope, is wit. I make it up. If I make up a world in which we’re ruled by big talking turds, it doesn’t mean that we are. So you shouldn’t feel depressed.
GEORGE SAUNDERS -
Chekhov – shall I be blunt? – is the greatest short story writer who ever lived.
GEORGE SAUNDERS -
The great American denial riff is that you can do whatever you like and you always triumph at the end. The world is saying no, you can do what you like, but there are consequences. And maturity is to be able to turn to the consequences and accept them.
GEORGE SAUNDERS -
There’s this de facto assumption that for something to have value, it has to be economically self-supporting – which imposes a very low ceiling on a culture.
GEORGE SAUNDERS -
Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
GEORGE SAUNDERS






