We have to move toward specificity, intelligence, facts, proof, and mutual affection. What I think people have to do now is be very, very assertive about the utter essentiality of intellectual undertakings.
GEORGE SAUNDERSIf I find myself being too earnest and sentimental and hyperbolic and simplistic, which is definitely a tendency I have, then I bring in this perverse henchman.
More George Saunders Quotes
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If you’re going to make an emotional connection with somebody, whether it’s in the story or in the world, there’s a certain amount of self-acceptance that is required.
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I’m George. You know, I’m with The New Yorker. I’m a liberal. I’m somewhat left of Gandhi. Do you want to talk? And, you know, they always did.
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I’ve always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
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Suddenly absurdism wasn’t an intellectual abstraction, it was actually realism. You could see the way that wealth was begetting wealth, wealth was begetting comfort – and that the cumulative effect of an absence of wealth was the erosion of grace.
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I’m very happy – if I can do even a little bit of work to get the short story out more, I’m thrilled.
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You don’t want to be that parent – the one who dresses his kid in a cloth sack when all the other kids are in Armani cloth sacks – especially in a time like ours, when materialism is not only rampant and ascendant but is fast becoming the only game in town.
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I always cheerfully say, “Well, you know, the species is adapting, and whatever it needs to do, it’ll do,” but I do think it’s maybe a little bit alarming.
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I think kindness is a sort of gateway virtue – having that simple aspiration can get you into deep water very quickly – in a good way.
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America, to me, should be shouting all the time, a bunch of shouting voices, most of them wrong, some of them nuts, but please, not just one droning glamourous reasonable voice.
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I understand what something short should be like. I understand beauty in that form. If I start extending, somehow I kind of lose my bearings.
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The book says [Lincoln in the Bardo],”I really need this sci-fi device of a ghost inhabiting another person.” You say okay kind of begrudgingly. So the structure seemed informed by need and efficiency.
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I often wonder if there are certain areas of real life that are roped off, with a sign saying, “Art, don’t come in here.” But that’s maybe a deeper question.
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I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
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The thing I’ve discovered that is a help is that there isn’t a simple virtue or a simple vice. They’re always connected. If you have Tendency A, that you loathe, you can almost be sure that Tendency B, which you love, is somehow connected to it.
GEORGE SAUNDERS