You don’t want to be that parent – the one who dresses his kid in a cloth sack when all the other kids are in Armani cloth sacks – especially in a time like ours, when materialism is not only rampant and ascendant but is fast becoming the only game in town.
GEORGE SAUNDERSSo, good news/bad news: good news that I’m progressing; bad news that life is short and art is long.
More George Saunders Quotes
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I always describe writing a story as throwing bowling pins in the air and then catching them.
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Chekhov – shall I be blunt? – is the greatest short story writer who ever lived.
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When somebody you’ve known for 20 years, and with whom you have a full context, winks at you or whatever, it can be huge. I think in a sense what you’re trying to re-create in fiction is that.
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All along, my mantra was: Don’t write unless it contributes to the emotion, and do anything you do in service of the emotion only.
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I’m not thinking much about overall themes or preoccupations or anything like that. Instead I’m just trusting that, if I’m working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book.
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The thing I’ve discovered that is a help is that there isn’t a simple virtue or a simple vice. They’re always connected. If you have Tendency A, that you loathe, you can almost be sure that Tendency B, which you love, is somehow connected to it.
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If I can be more efficient, I’m actually being more respectful to the reader, which then implies a greater intimacy with the reader.
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So here’s something I know to be true, although it’s a little corny, and I don’t quite know what to do with it.
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The great American denial riff is that you can do whatever you like and you always triumph at the end. The world is saying no, you can do what you like, but there are consequences. And maturity is to be able to turn to the consequences and accept them.
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Nostalgia is, ‘Hey, remember the other mall that used to be there?’
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He was a father. That’s what a father does.Eases the burdens of those he loves. Saves the ones he loves from painful last images that might endure for a lifetime.
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As a writer I’m essentially just trying to impersonate a first-time reader, who picks up the story and has to decide, at every point, whether to keep going.
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Every step was a victory. He had to remember that.
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One of the inspiring things about Susan Sarandon career is that there’s a quality of real fearlessness in it – you seem to be in it for the challenge and the experience.
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And I have finally realized that, you know, it’s not a given that my lifespan will accommodate my writing aspirations. It could be that it would take me 12 more books at six years each to get it – which means I would have to live to be 126. Which I fully intend to do, of course.
GEORGE SAUNDERS