I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it’s a nice way to neutralize that polarization.
GEORGE SAUNDERSOne of the inspiring things about Susan Sarandon career is that there’s a quality of real fearlessness in it – you seem to be in it for the challenge and the experience.
More George Saunders Quotes
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Nostalgia is, ‘Hey, remember the other mall that used to be there?’
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I had an experience a few years ago where I was on a plane in which one of the engines went out. I couldn’t even remember my name. I was just repeating the word no over and over.
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There’s a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him – or he starts to see it having a life of its own that doesn’t have anything to do with his ego or his desire to ‘be a good writer’.
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Monologue is the most honest way to represent human beings.
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I’ve seen time and time again the way that the process of trying to say something dignifies and improves a person.
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…There is no end to the making and selling of things there is no end to the making and selling of things there is no end… Man, it occurs to me, is a joyful, buying-and-selling piece of work. I have been wrong, dead wrong, when I’ve decried consumerism.
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I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.
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There’s this de facto assumption that for something to have value, it has to be economically self-supporting – which imposes a very low ceiling on a culture.
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Even when the faith goes away, there’s that space where you crave something bigger than yourself. For me, that’s kind of where art came in, after that.
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I’ve always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
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I don’t feel like I have the intelligence to really inhabit a consistently high level of prose.
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At times, they’re so Right and I’m so Left, we agree.
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The one thing fiction and non-fiction writing have in common for me is that sense of trying to get the sentences to be minimal but at the same time be a little overfull – to encourage them to do a kind of poetic work.
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Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
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When we talk about adversity, this is the moment when character really gets tested. When things aren’t going the way you want and you can’t see anyway that they’re going to go the way you want. That’s kind of when those old virtues really become valuable and vulnerable also.
GEORGE SAUNDERS