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With nonfiction, I go in trying to be really honest about what my preconceptions are.

George Saunders

I’m from a pretty working-class background, and I really worked hard in my life to eradicate those parts of myself that were stupidly trapped in that world.Those of us who come up that way made a series of choices to benefit ourselves and make ourselves more generous and open.
GEORGE SAUNDERS

Benefits Choices Class
Whenever you talk about writing I think you have to remember that it all has a big question mark over it – every word has a big question mark over it.
GEORGE SAUNDERS

Remember Thinking Writing
…There is no end to the making and selling of things there is no end to the making and selling of things there is no end… Man, it occurs to me, is a joyful, buying-and-selling piece of work. I have been wrong, dead wrong, when I’ve decried consumerism.
GEORGE SAUNDERS

Home Men Pieces
That’s the only way that I can figure out how to live, is to say, “Well, I don’t know what this adds up to, but I can do the best I can.”
GEORGE SAUNDERS

Add Figures Way
I think that fiction has a part to play in urging us, as a species, toward compassion.
GEORGE SAUNDERS

Compassion Play Thinking
For me, when I’m coming up to a place where I have to make somebody up, it’s almost like driving and taking your hands off the wheel.
GEORGE SAUNDERS

Driving Hands Wheels
When somebody you’ve known for 20 years, and with whom you have a full context, winks at you or whatever, it can be huge. I think in a sense what you’re trying to re-create in fiction is that.
GEORGE SAUNDERS

Thinking Trying Years
You can see a whole book as a series of creating an expectation and then delivering a skew on that expectation so it’s not totally satisfied.
GEORGE SAUNDERS

Book Creating Expectations
I was a straight arrow, a control freak. I didn’t do drugs or drink, and this was the ’70s. I didn’t like the loss of control. Which isn’t exactly right, because I didn’t know what happened when you did drugs.
GEORGE SAUNDERS

Arrows Drug Loss
When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.
GEORGE SAUNDERS

Aware Stories Want World
I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
GEORGE SAUNDERS

Moving Names Thinking
The idea is that what an artist lives through should broaden his notion of what it is possible for a human being to live through, and that new understanding should then get into and expand the work.
GEORGE SAUNDERS

Artist Ideas Understanding
I want something a little more confident and more sure of the values that we’re defending, which are the old ones, love and empathy and patience and tolerance and civility. Not to get into politics or anything.
GEORGE SAUNDERS

Confident Defending Empathy Want
Whole idea is really intriguing to me. If you took snapshots of ourselves throughout the day, the way that our mind is twisting and turning, then at the moment of death, the mind would be twisting and turning in the same way. But the Buddhists say it’s super-sized because there’s no bodily damper on it.
GEORGE SAUNDERS

Buddhist Ideas Mind
The most hopeful thing in the stories, I hope, is wit. I make it up. If I make up a world in which we’re ruled by big talking turds, it doesn’t mean that we are. So you shouldn’t feel depressed.
GEORGE SAUNDERS

Depressed Hopeful Mean Talking
If you think of a work of fiction as a kind of scale model of the world, then the positive valences – where things turn out better than you thought they would – ought to be in there somewhere, too.
GEORGE SAUNDERS

Fiction Thinking World

With nonfiction, I go in trying to be really honest about what my preconceptions are.

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With nonfiction, I go in trying to be really honest about what my preconceptions are.

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Popular Authors

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