I always cheerfully say, “Well, you know, the species is adapting, and whatever it needs to do, it’ll do,” but I do think it’s maybe a little bit alarming.
GEORGE SAUNDERSI think kindness is a sort of gateway virtue – having that simple aspiration can get you into deep water very quickly – in a good way.
More George Saunders Quotes
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There’s a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him – or he starts to see it having a life of its own that doesn’t have anything to do with his ego or his desire to ‘be a good writer’.
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Our first responsibility in all things is to preserve our goodness of heart – then and only then act.
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If you bring forth what is within you, it will save you. If you do not bring it forth, it will destroy you.
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So here’s something I know to be true, although it’s a little corny, and I don’t quite know what to do with it.
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All traditions are also full of meanness for the sake of meanness.
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Chekhov – shall I be blunt? – is the greatest short story writer who ever lived.
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Fiction is open to whoever comes in the door, as long as you come in energetically.
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America, to me, should be shouting all the time, a bunch of shouting voices, most of them wrong, some of them nuts, but please, not just one droning glamourous reasonable voice.
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Every step was a victory. He had to remember that.
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One way or the other; whether you get it or don’t get it, there’s a cost. That’s just basic responsibility, to admit that there’s a cost. And the bad karma is when you pretend that the thing is free.
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The artist’s job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn’t damaged in the process, and may even get heightened or refined.
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I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.
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All along, my mantra was: Don’t write unless it contributes to the emotion, and do anything you do in service of the emotion only.
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I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
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And I have finally realized that, you know, it’s not a given that my lifespan will accommodate my writing aspirations. It could be that it would take me 12 more books at six years each to get it – which means I would have to live to be 126. Which I fully intend to do, of course.
GEORGE SAUNDERS