Chekhov – shall I be blunt? – is the greatest short story writer who ever lived.
GEORGE SAUNDERSI’m getting anxious, I’m getting more manic. Now, I’m an extreme case because I’m old and I’m overdoing it. But still, it’s really interesting that I can actually feel a change in my neurochemistry from this interaction with the technology.
More George Saunders Quotes
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And the brevity is part of the challenge. I like stories because I get them – I know how to make beauty, or something like beauty, in that mode.
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[Writing] is almost like those boats that sit really low in the water; they look kind of ugly. And then you get one of them up to 80 miles an hour and the hull comes up, and it’s a beautiful thing. I’m okay with that for myself.
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The one thing about A Christmas Carol that always bothers me is that Cratchit is so sweet and perfect. He’s like an Ivy League kid who just is labeled “poor.” He doesn’t have any bad habits. He’s never cranky with his kids.
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All traditions are also full of meanness for the sake of meanness.
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I always cheerfully say, “Well, you know, the species is adapting, and whatever it needs to do, it’ll do,” but I do think it’s maybe a little bit alarming.
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I was trained in seismic prospecting. We’d drill a deep hole and put dynamite in the bottom and blow it up remotely, which would give you a cross-sectional picture of the subsurface, which tells you where to drill.
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You can see a whole book as a series of creating an expectation and then delivering a skew on that expectation so it’s not totally satisfied.
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I’m not thinking much about overall themes or preoccupations or anything like that. Instead I’m just trusting that, if I’m working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book.
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With nonfiction, I go in trying to be really honest about what my preconceptions are.
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All along, my mantra was: Don’t write unless it contributes to the emotion, and do anything you do in service of the emotion only.
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I’m very happy – if I can do even a little bit of work to get the short story out more, I’m thrilled.
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In the moment of reading, the writer comes up to the surface and the reader comes up to the surface and they kiss, like two fish. That actually does happen.
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When I think about what fiction does morally, I’m happier thinking of a person full of multiplicities – sort of fragmented.
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I’m not a big fan of my books going on cross-country road trips. They get arrogant and, next thing, start aspiring to become ‘large-print’ books. I say, let them stay home and be regular small-print books.
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The greatest thing about writing a book is that at first it’s all inchoate, but the more you work on it, the more the book teaches you its internal rules.
GEORGE SAUNDERS