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Suddenly absurdism wasn’t an intellectual abstraction, it was actually realism. You could see the way that wealth was begetting wealth, wealth was begetting comfort – and that the cumulative effect of an absence of wealth was the erosion of grace.

George Saunders

The most hopeful thing in the stories, I hope, is wit. I make it up. If I make up a world in which we’re ruled by big talking turds, it doesn’t mean that we are. So you shouldn’t feel depressed.
GEORGE SAUNDERS

Depressed Hopeful Mean Talking
I love story-writing because I can (more or less, on occasion) actually DO it. That’s really the truth. I like the idea that a story is sort of a site for making cool language effects – a site for celebrating language, and, therefore, the world.
GEORGE SAUNDERS

Challenges Ideas Writing
When I think about what fiction does morally, I’m happier thinking of a person full of multiplicities – sort of fragmented.
GEORGE SAUNDERS

Fiction Fragmented Thinking
I don’t feel like I have the intelligence to really inhabit a consistently high level of prose.
GEORGE SAUNDERS

Feels Levels Prose
An artist’s job is to be interested in things as they are.
GEORGE SAUNDERS

Artist Interested Jobs
I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.
GEORGE SAUNDERS

Birthday Drama Rain
Suddenly absurdism wasn’t an intellectual abstraction, it was actually realism. You could see the way that wealth was begetting wealth, wealth was begetting comfort – and that the cumulative effect of an absence of wealth was the erosion of grace.
GEORGE SAUNDERS

Erosion Grace Intellectual
Nostalgia is, ‘Hey, remember the other mall that used to be there?’
GEORGE SAUNDERS

Hey Nostalgia Remember
Early on, a story’s meaning and rationale seem pretty obvious, but then, as I write it, I realize that I know the meaning/rationale too well, which means that the reader will also know it – and so things have to be ramped up.
GEORGE SAUNDERS

Mean Stories Writing
Goodbye. I’m leaving because I’m bored.
GEORGE SAUNDERS

Bored Goodbye Leaving
Fiction is open to whoever comes in the door, as long as you come in energetically.
GEORGE SAUNDERS

Doors Fiction Energetically Long
My idea about collections is that you write as hard as you can for some period and what you’re really doing during that time is hyper-focusing on the individual pieces – trying to make each one sit up and really do some surprising work.
GEORGE SAUNDERS

Ideas Trying Writing
The one thing I noticed retroactively was that the energy at those Trump rallies was off the charts compared to the Hillary Clinton rallies. The Bernie Sanders energy was as good, gentler, but there was a real passion there.
GEORGE SAUNDERS

Energy Passion Real
I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
GEORGE SAUNDERS

Moving Names Thinking
I heard Zen teacher one time talking about abortion, and he was saying the way that abortion makes bad karma is any time the person involved pretends that there’s not a cost to the choice.
GEORGE SAUNDERS

Karma Responsibility Teacher
Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
GEORGE SAUNDERS

Action Humans Light

Suddenly absurdism wasn’t an intellectual abstraction, it was actually realism. You could see the way that wealth was begetting wealth, wealth was begetting comfort – and that the cumulative effect of an absence of wealth was the erosion of grace.

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Popular Authors

Suddenly absurdism wasn’t an intellectual abstraction, it was actually realism. You could see the way that wealth was begetting wealth, wealth was begetting comfort – and that the cumulative effect of an absence of wealth was the erosion of grace.

Related Topics

Popular Authors

More George Saunders Quotes