Your first responsibility is to yourself and to your own goodness of heart.
GEORGE SAUNDERSI’m not thinking much about overall themes or preoccupations or anything like that. Instead I’m just trusting that, if I’m working hard, various notions and riffs and motifs and so on are very naturally suffusing the stories and the resulting book.
More George Saunders Quotes
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Life is short, very short, and what are we doing here if not trying to become more generous and loving?
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I’m very happy – if I can do even a little bit of work to get the short story out more, I’m thrilled.
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My idea about collections is that you write as hard as you can for some period and what you’re really doing during that time is hyper-focusing on the individual pieces – trying to make each one sit up and really do some surprising work.
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So, good news/bad news: good news that I’m progressing; bad news that life is short and art is long.
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As the writer of this book [Lincoln in the Bardo], what I loved was the feeling of having so many surprises come at the end that I hadn’t really planned or planted.
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An artist’s job is to be interested in things as they are.
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When you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That’s actually where it all comes from.
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I often wonder if there are certain areas of real life that are roped off, with a sign saying, “Art, don’t come in here.” But that’s maybe a deeper question.
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Whenever you talk about writing I think you have to remember that it all has a big question mark over it – every word has a big question mark over it.
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When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.
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I’m getting anxious, I’m getting more manic. Now, I’m an extreme case because I’m old and I’m overdoing it. But still, it’s really interesting that I can actually feel a change in my neurochemistry from this interaction with the technology.
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You can say you’re a liberal and everybody laughs and it’s a good time.
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I think something that I can’t name about our media has made us move away from that kind of specificity and that kind of curiosity.
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When I think about what fiction does morally, I’m happier thinking of a person full of multiplicities – sort of fragmented.
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If a writer understands his work as something that originates with him but then, with any luck, gets away from him, then what he needs is someone who can grasp the potential of the piece and lead him to that higher ground.
GEORGE SAUNDERS