If you’re going to make an emotional connection with somebody, whether it’s in the story or in the world, there’s a certain amount of self-acceptance that is required.
GEORGE SAUNDERSI see that being looked at askance as a form of elitism now, which is really scary.
More George Saunders Quotes
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That’s the only way that I can figure out how to live, is to say, “Well, I don’t know what this adds up to, but I can do the best I can.”
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When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.
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The idea is that what an artist lives through should broaden his notion of what it is possible for a human being to live through, and that new understanding should then get into and expand the work.
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If you bring forth what is within you, it will save you. If you do not bring it forth, it will destroy you.
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I’m fascinated with actors, and I’ve never quite understood the process.
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Whole idea is really intriguing to me. If you took snapshots of ourselves throughout the day, the way that our mind is twisting and turning, then at the moment of death, the mind would be twisting and turning in the same way. But the Buddhists say it’s super-sized because there’s no bodily damper on it.
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In the moment of reading, the writer comes up to the surface and the reader comes up to the surface and they kiss, like two fish. That actually does happen.
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We’re in the transition between birth and death. But the one that people often know about is the transition between the moment of death and whatever comes next, so reincarnation or heaven or hell.
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Every step was a victory. He had to remember that.
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If I find myself being too earnest and sentimental and hyperbolic and simplistic, which is definitely a tendency I have, then I bring in this perverse henchman.
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America, to me, should be shouting all the time, a bunch of shouting voices, most of them wrong, some of them nuts, but please, not just one droning glamourous reasonable voice.
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When somebody you’ve known for 20 years, and with whom you have a full context, winks at you or whatever, it can be huge. I think in a sense what you’re trying to re-create in fiction is that.
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I was a big and un-ironic fan of Dear Abby when I was a kid in Chicago. I think I sort of internalized her. So I have this inner Abby: cranky, proper, folksy yet scathing, with a beehive hairdo. But that’s my issue.
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If a writer understands his work as something that originates with him but then, with any luck, gets away from him, then what he needs is someone who can grasp the potential of the piece and lead him to that higher ground.
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The most hopeful thing in the stories, I hope, is wit. I make it up. If I make up a world in which we’re ruled by big talking turds, it doesn’t mean that we are. So you shouldn’t feel depressed.
GEORGE SAUNDERS







