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I was a straight arrow, a control freak. I didn’t do drugs or drink, and this was the ’70s. I didn’t like the loss of control. Which isn’t exactly right, because I didn’t know what happened when you did drugs.

George Saunders

When I was a kid, I took ‘The Brady Bunch’ and ‘The Partridge Family’ very seriously. It was a world to me in the same way that the Greek myths would have been had I read them. You know, Marcia is Athena and Mr. Brady is Zeus.
GEORGE SAUNDERS

Greek Kids World
I’m not a natural criticizer – I prefer to like and praise and so on.
GEORGE SAUNDERS

Critizixe Natural Praise
I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I’m George. You know, I’m with The New Yorker. I’m a liberal. I’m somewhat left of Gandhi. Do you want to talk? And, you know, they always did.
GEORGE SAUNDERS

Guy Next Want
My heart goes out to him. Sort of. Because empathy depends on how you’ve spent your day.
GEORGE SAUNDERS

Empathy Heart
There comes that phase in life when, tired of losing, you decide to stop losing, then continue losing. Then you decide to really stop losing, and continue losing. The losing goes on and on so long you begin to watch with curiosity, wondering how low you can go.
GEORGE SAUNDERS

Continue Curiosity Long Losing Tired
America, to me, should be shouting all the time, a bunch of shouting voices, most of them wrong, some of them nuts, but please, not just one droning glamourous reasonable voice.
GEORGE SAUNDERS

America Nuts Voice
Nostalgia is, ‘Hey, remember the other mall that used to be there?’
GEORGE SAUNDERS

Hey Nostalgia Remember
In the moment of reading, the writer comes up to the surface and the reader comes up to the surface and they kiss, like two fish. That actually does happen.
GEORGE SAUNDERS

Actually Kissing Reading Two
I am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that “reader” is actually just me, if I had never read the story before.
GEORGE SAUNDERS

Actually Kind Mood Odd Stories
As the writer of this book [Lincoln in the Bardo], what I loved was the feeling of having so many surprises come at the end that I hadn’t really planned or planted.
GEORGE SAUNDERS

Book Feelings Surprise
My stories, I can understand them as a little toy that you wind up and you put it on the floor and it just goes under the coach. That I get. Beyond that, I’m a little lost.
GEORGE SAUNDERS

Littles Stories Wind
When I wrote that [Donald] Trump piece, I had this uncomfortable experience of sensing a lot of things that were nascent, that I couldn’t quite articulate. And one of them was this move toward anti-intellectualism. An anti-love move, even.
GEORGE SAUNDERS

Anti Love Moving Pieces
The great American denial riff is that you can do whatever you like and you always triumph at the end. The world is saying no, you can do what you like, but there are consequences. And maturity is to be able to turn to the consequences and accept them.
GEORGE SAUNDERS

Denial Maturity Triumph
I’m from a pretty working-class background, and I really worked hard in my life to eradicate those parts of myself that were stupidly trapped in that world.Those of us who come up that way made a series of choices to benefit ourselves and make ourselves more generous and open.
GEORGE SAUNDERS

Benefits Choices Class
And I have finally realized that, you know, it’s not a given that my lifespan will accommodate my writing aspirations. It could be that it would take me 12 more books at six years each to get it – which means I would have to live to be 126. Which I fully intend to do, of course.
GEORGE SAUNDERS

Book Mean Writing
One way or the other; whether you get it or don’t get it, there’s a cost. That’s just basic responsibility, to admit that there’s a cost. And the bad karma is when you pretend that the thing is free.
GEORGE SAUNDERS

Free One Responsinbty Thing Time

I was a straight arrow, a control freak. I didn’t do drugs or drink, and this was the ’70s. I didn’t like the loss of control. Which isn’t exactly right, because I didn’t know what happened when you did drugs.

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I was a straight arrow, a control freak. I didn’t do drugs or drink, and this was the ’70s. I didn’t like the loss of control. Which isn’t exactly right, because I didn’t know what happened when you did drugs.

Related Topics

Popular Authors

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