Monologue is the most honest way to represent human beings.
GEORGE SAUNDERSI was a straight arrow, a control freak. I didn’t do drugs or drink, and this was the ’70s. I didn’t like the loss of control. Which isn’t exactly right, because I didn’t know what happened when you did drugs.
More George Saunders Quotes
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There’s a really nice moment in the life of a piece of writing where the writer starts to get a feeling of it outgrowing him – or he starts to see it having a life of its own that doesn’t have anything to do with his ego or his desire to ‘be a good writer’.
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I’m turning 58, and you get that kind of weird, old-guy feeling of you don’t have an infinite number of years left and if there’s anything you want to say or represent, it’s time to try it.
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I’m a big lover of America. I love the people, but also the weird berms, the strange little high schools tucked away in different places, and just the whole geography and the psychological apparatus of Americans.
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It seems to me that there are certain thoughts and vignettes and attitudes that I have always had the desire to represent.
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Whatever happens when we die, it would be really weird if it was what we had expected. Even if you were a lifelong Christian believer, it would be kind of weird if there actually were pearly gates.
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When I wrote that [Donald] Trump piece, I had this uncomfortable experience of sensing a lot of things that were nascent, that I couldn’t quite articulate. And one of them was this move toward anti-intellectualism. An anti-love move, even.
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Your first responsibility is to yourself and to your own goodness of heart.
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Social media sometimes feels like a vehicle for one-dimensional sniping, more than true criticism.
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Chekhov – shall I be blunt? – is the greatest short story writer who ever lived.
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I see that being looked at askance as a form of elitism now, which is really scary.
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In my case, when I am trying to be “kind” I often default in a sort of toothless loving-all stance that is, actually, not kind, because it is not truthful.
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Even when the faith goes away, there’s that space where you crave something bigger than yourself. For me, that’s kind of where art came in, after that.
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The great American denial riff is that you can do whatever you like and you always triumph at the end. The world is saying no, you can do what you like, but there are consequences. And maturity is to be able to turn to the consequences and accept them.
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I’ve always wanted to write energetic, atypical sentences, i.e., sentences that were not normal or bland.
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A culture’s ability to understand the world and itself is critical to its survival. But today we are led into the arena of public debate by seers whose main gift is their ability to compel people to continue to watch them.
GEORGE SAUNDERS