It was like either: (A) I was a terrible guy who was knowingly doing this rotten thing over and over, or (B) it wasn’t so rotten, really, just normal, and the way to confirm it was normal was to keep doing it, over and over.
GEORGE SAUNDERSCompassion doesn’t have to be weak or enabling; it can also be quite bold.
More George Saunders Quotes
-
-
When something really bad is going on in a culture, the average guy doesn’t see it. He can’t. He’s average and is surrounded by and immersed in the cant and discourse of the status quo.
GEORGE SAUNDERS -
There comes that phase in life when, tired of losing, you decide to stop losing, then continue losing. Then you decide to really stop losing, and continue losing. The losing goes on and on so long you begin to watch with curiosity, wondering how low you can go.
GEORGE SAUNDERS -
I always cheerfully say, “Well, you know, the species is adapting, and whatever it needs to do, it’ll do,” but I do think it’s maybe a little bit alarming.
GEORGE SAUNDERS -
My idea about collections is that you write as hard as you can for some period and what you’re really doing during that time is hyper-focusing on the individual pieces – trying to make each one sit up and really do some surprising work.
GEORGE SAUNDERS -
The scariest thought in the world is that someday I’ll wake up and realize I’ve been sleepwalking through my life: underappreciating the people I love, making the same hurtful mistakes over and over, a slave to neuroses, fear, and the habitual.
GEORGE SAUNDERS -
At times, they’re so Right and I’m so Left, we agree.
GEORGE SAUNDERS -
Chekhov – shall I be blunt? – is the greatest short story writer who ever lived.
GEORGE SAUNDERS -
Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
GEORGE SAUNDERS -
If I find myself being too earnest and sentimental and hyperbolic and simplistic, which is definitely a tendency I have, then I bring in this perverse henchman.
GEORGE SAUNDERS -
I’ve seen time and time again the way that the process of trying to say something dignifies and improves a person.
GEORGE SAUNDERS -
The artist’s job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn’t damaged in the process, and may even get heightened or refined.
GEORGE SAUNDERS -
I know what it feels like to be in that middle and lower-middle class, and feel like the culture is passing you by; it translates into a great sense of personal frustration that can then morph into political frustration.
GEORGE SAUNDERS -
I see that being looked at askance as a form of elitism now, which is really scary.
GEORGE SAUNDERS -
I don’t feel like I have the intelligence to really inhabit a consistently high level of prose.
GEORGE SAUNDERS -
I always describe writing a story as throwing bowling pins in the air and then catching them.
GEORGE SAUNDERS