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Early on, a story’s meaning and rationale seem pretty obvious, but then, as I write it, I realize that I know the meaning/rationale too well, which means that the reader will also know it – and so things have to be ramped up.

George Saunders

As the writer of this book [Lincoln in the Bardo], what I loved was the feeling of having so many surprises come at the end that I hadn’t really planned or planted.
GEORGE SAUNDERS

Book Feelings Surprise
I always cheerfully say, “Well, you know, the species is adapting, and whatever it needs to do, it’ll do,” but I do think it’s maybe a little bit alarming.
GEORGE SAUNDERS

Fun Phone Thinking
I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.
GEORGE SAUNDERS

Birthday Drama Rain
Goodbye. I am leaving because I am bored.
GEORGE SAUNDERS

Crazy Goodbye Mad
I think about how I conceptualize the audience. The trick is that they’ve got to be smarter and more worldly than me. So as I’m revising, I’m keeping that in mind. I cannot condescend, even a little bit. Every single choice that I make is motivated by that.
GEORGE SAUNDERS

Choices Mind Thinking
Humor is what happens when we’re told the truth quicker and more directly than we’re used to.
GEORGE SAUNDERS

Happens Used Writing
The great American denial riff is that you can do whatever you like and you always triumph at the end. The world is saying no, you can do what you like, but there are consequences. And maturity is to be able to turn to the consequences and accept them.
GEORGE SAUNDERS

Denial Maturity Triumph
I don’t feel like I have the intelligence to really inhabit a consistently high level of prose.
GEORGE SAUNDERS

Feels Levels Prose
Developing our sympathetic compassion is not only possible but the only reason for us to be here on earth.
GEORGE SAUNDERS

Compassion Earth Reason
The idea is that what an artist lives through should broaden his notion of what it is possible for a human being to live through, and that new understanding should then get into and expand the work.
GEORGE SAUNDERS

Artist Ideas Understanding
If you’re going to make an emotional connection with somebody, whether it’s in the story or in the world, there’s a certain amount of self-acceptance that is required.
GEORGE SAUNDERS

Acceptance Emotional Self
I’m not a big fan of my books going on cross-country road trips. They get arrogant and, next thing, start aspiring to become ‘large-print’ books. I say, let them stay home and be regular small-print books.
GEORGE SAUNDERS

Book Country Home
I think it was a big revelation to me earlier in my life that people who appear to be evil are actually not. In other words, nobody wakes up in the morning and says, “Yuck, yuck, yuck, I’m gonna be evil.”
GEORGE SAUNDERS

Morning People Thinking
Fiction is open to whoever comes in the door, as long as you come in energetically.
GEORGE SAUNDERS

Doors Fiction Energetically Long
Maybe you could even think 100,000 people are inside each human being. And you drop a novel on that person, and a certain number of those sub-people come alive or get reenergized for some finite time.
GEORGE SAUNDERS

Numbers People Thinking
Whenever you talk about writing I think you have to remember that it all has a big question mark over it – every word has a big question mark over it.
GEORGE SAUNDERS

Remember Thinking Writing

Early on, a story’s meaning and rationale seem pretty obvious, but then, as I write it, I realize that I know the meaning/rationale too well, which means that the reader will also know it – and so things have to be ramped up.

Related Topics

Popular Authors

Early on, a story’s meaning and rationale seem pretty obvious, but then, as I write it, I realize that I know the meaning/rationale too well, which means that the reader will also know it – and so things have to be ramped up.

Related Topics

Popular Authors

More George Saunders Quotes