I was a straight arrow, a control freak. I didn’t do drugs or drink, and this was the ’70s. I didn’t like the loss of control. Which isn’t exactly right, because I didn’t know what happened when you did drugs.
GEORGE SAUNDERSEvery step was a victory. He had to remember that.
More George Saunders Quotes
-
-
Someone told me once – I mean I said, “Is it ok that I don’t really know what the three-act structure is?” And he said, “It’s basically: Act 1: a guy climbs up a tree; Act 2: people come and throw stuff at him; Act 3: he gets down.”
GEORGE SAUNDERS -
We have to move toward specificity, intelligence, facts, proof, and mutual affection. What I think people have to do now is be very, very assertive about the utter essentiality of intellectual undertakings.
GEORGE SAUNDERS -
My heart goes out to him. Sort of. Because empathy depends on how you’ve spent your day.
GEORGE SAUNDERS -
The greatest thing about writing a book is that at first it’s all inchoate, but the more you work on it, the more the book teaches you its internal rules.
GEORGE SAUNDERS -
At times, they’re so Right and I’m so Left, we agree.
GEORGE SAUNDERS -
I see that being looked at askance as a form of elitism now, which is really scary.
GEORGE SAUNDERS -
The book says [Lincoln in the Bardo],”I really need this sci-fi device of a ghost inhabiting another person.” You say okay kind of begrudgingly. So the structure seemed informed by need and efficiency.
GEORGE SAUNDERS -
I think that fiction has a part to play in urging us, as a species, toward compassion.
GEORGE SAUNDERS -
Developing our sympathetic compassion is not only possible but the only reason for us to be here on earth.
GEORGE SAUNDERS -
I have nothing. My model is I have nothing figured out, and I’m starting with some little nugget and hoping that it will talk back to me enough to let it grow.
GEORGE SAUNDERS -
I tend to foster drama via bleakness. If I want the reader to feel sympathy for a character, I cleave the character in half, on his birthday. And then it starts raining. And he’s made of sugar.
GEORGE SAUNDERS -
When we talk about adversity, this is the moment when character really gets tested. When things aren’t going the way you want and you can’t see anyway that they’re going to go the way you want. That’s kind of when those old virtues really become valuable and vulnerable also.
GEORGE SAUNDERS -
There’s this de facto assumption that for something to have value, it has to be economically self-supporting – which imposes a very low ceiling on a culture.
GEORGE SAUNDERS -
An artist’s job is to be interested in things as they are.
GEORGE SAUNDERS -
A culture’s ability to understand the world and itself is critical to its survival. But today we are led into the arena of public debate by seers whose main gift is their ability to compel people to continue to watch them.
GEORGE SAUNDERS