Whatever you love, that will be an influence. It just will. So in effect the young writer’s job is: go out and find some stuff to love.
GEORGE SAUNDERSEvery step was a victory. He had to remember that.
More George Saunders Quotes
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I had an experience a few years ago where I was on a plane in which one of the engines went out. I couldn’t even remember my name. I was just repeating the word no over and over.
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The one thing fiction and non-fiction writing have in common for me is that sense of trying to get the sentences to be minimal but at the same time be a little overfull – to encourage them to do a kind of poetic work.
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Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like.
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Suddenly absurdism wasn’t an intellectual abstraction, it was actually realism. You could see the way that wealth was begetting wealth, wealth was begetting comfort – and that the cumulative effect of an absence of wealth was the erosion of grace.
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As a fiction writer, one of things you learn is God lives in specificity. You know, human kindness is increased as we pursue specificity.
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Monologue is the most honest way to represent human beings.
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So here’s something I know to be true, although it’s a little corny, and I don’t quite know what to do with it.
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I often wonder if there are certain areas of real life that are roped off, with a sign saying, “Art, don’t come in here.” But that’s maybe a deeper question.
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When somebody you’ve known for 20 years, and with whom you have a full context, winks at you or whatever, it can be huge. I think in a sense what you’re trying to re-create in fiction is that.
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I always cheerfully say, “Well, you know, the species is adapting, and whatever it needs to do, it’ll do,” but I do think it’s maybe a little bit alarming.
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In my case, when I am trying to be “kind” I often default in a sort of toothless loving-all stance that is, actually, not kind, because it is not truthful.
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Maybe you could even think 100,000 people are inside each human being. And you drop a novel on that person, and a certain number of those sub-people come alive or get reenergized for some finite time.
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If you bring forth what is within you, it will save you. If you do not bring it forth, it will destroy you.
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My idea about collections is that you write as hard as you can for some period and what you’re really doing during that time is hyper-focusing on the individual pieces – trying to make each one sit up and really do some surprising work.
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I think that fiction has a part to play in urging us, as a species, toward compassion.
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