I know that sometimes in my own life I really felt like killing people.
GASPAR NOEIn most cases, I don’t know how much, I cannot say if it’s ninety nine percent or eighty percent, but the problem with incestuous relationships is that they often come from frustration. And from need of power.
More Gaspar Noe Quotes
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Hallucinations are an inner experience in which most of the time you forget you’re there.
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In most cases, I don’t know how much, I cannot say if it’s ninety nine percent or eighty percent, but the problem with incestuous relationships is that they often come from frustration. And from need of power.
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When you start a movie… when it’s a short, people don’t care… but when it’s a feature they want money.
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The power that a president has in France is like the power of a king. In America, you know that his power is limited. Maybe because there used to be a king for centuries and now they’re still behaving like they need a king.
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I think that wars will never stop, it’s just that there are sides. You have to choose your side. And there are more progressive sides.
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My weapon is just a movie.
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I think that it’s much brighter just to assume that you’re an animal in the jungle and you have to survive.
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falling in love is the most natural thing in the world. Everybody has been through it, everybody has scars, everybody wants to restart falling in love.
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My father is much more into forgetting and forgiving, but I’m much more into revenge.
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Scope movies shown on TV letter-boxed are always the big budget movies.
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If you’re a Bosnian and suddenly you get attacked by the Serbs, there’s just one way of getting rid of your opponents. It’s taking revenge and trying to fight as hard as you can.
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In France, like in most countries, the respect you receive depends on your class.
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People sometimes, they just stop because they see this scope movie. They say “oh, this is a real movie, this is not a TV movie.”
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I notice that I feel safer among women when I do drugs. I would never do drugs with male friends.
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The negative has to be done on an A and B [roll] so you don’t see the cuts, the splices on the frameline.
GASPAR NOE