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I think you’re always attracted by characters that are a little bit like you, or at least the worst parts of you that you can finally accept and say, ‘All right, at least I know that now!’

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I love watching faces as they grow up. It’s the difference between so many strong British actresses compared to what America does to women.
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It’s always shocking when you see a modern woman in a period story line. It doesn’t make sense.
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Playing Paige, I felt I had to train to wrestle.
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Lady Macbeth’ is a great opportunity for me to prove that maybe the outcome of ‘The Falling’ was not necessarily a fluke.
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You never see a normal spot, a bag under the eye or an unplucked eyebrow, because that’s not how Hollywood works.
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If people are noticing the hard work I’m doing, then that’s a wonderful thing.
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My dad still collects newspaper clippings about me.
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As beautiful as cinema is, it’s a massive part of the problem of why we look at ourselves in the way we do.
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During the Me Too breakthrough, I was hanging out with Emma Thompson and Emily Watson – two people I’ve looked up to my entire life. Talking to those women was so empowering.
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I think it’s so interesting which ways your career can go. I would have been a completely different actor doing a completely different story, and I would have missed ‘Lady Macbeth.’
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I hope to create characters that people want to watch – and they either want to be or are, or it’s something that they recognize.
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I wrestled at the Staples Centre at ‘Monday Night Raw’ when I was 21 years old.
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I used to reenact ‘Titanic’ all the time.
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I’ve tried not to get too bogged down by what people want you to be.
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There was one moment when I was in L.A., and he was teaching me a move. I just looked at him, thinking, ‘Oh my God, I’m being taught to wrestle by Dwayne Johnson. What the hell?’
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I got a really good insight into the world of wrestling.
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