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I think you’re always attracted by characters that are a little bit like you, or at least the worst parts of you that you can finally accept and say, ‘All right, at least I know that now!’

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That, for me, actually is the most important thing about doing a period film is trying to make these people as lovable as they are back then.
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If I can make my mark just a little bit, then great.
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What I’ve noticed about Hollywood is, if you go out there shouting about who you are, they will love you for it. But if you go out not knowing what it is that you’re representing, and you are just a canvas, they will make you into the thing they need you to be.
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Something that I’ve always been really keen on representing is some honesty with the way that we view ourselves.
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Feisty women are my calling!
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There’s a reason why there’s a problem with bodies, and it’s because you never actually get to see any normal versions of them.
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When I look for roles, I am looking for incredibly powerful women.
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I like a role where some of the character’s motivations are confusing or at least interesting.
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We’re learning things every decade we grow through, and ultimately, you do end up with a different way of looking at things.
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The Silence of the Lambs’ is my favourite book, favourite film.
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I got a really good insight into the world of wrestling.
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I love watching faces as they grow up. It’s the difference between so many strong British actresses compared to what America does to women.
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You are hugely responsible for people following you. You need to work out why you are posting, what the message is, and what you are doing to these people.
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In ‘Fighting With My Family,’ there’s a scene where I have to wrestle; I have to do the famous fight between Paige and AJ Lee.
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If you ever want to be interrogated, get Michael Shannon to do it. He’s an amazing man. I loved working with him.
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I used to reenact ‘Titanic’ all the time.
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