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My characters do have some fantastic taste in men.

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It’s always shocking when you see a modern woman in a period story line. It doesn’t make sense.
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Always Line Make Modern Period See Sense Shock Story When Woman
I know that my way of tackling a character is very different.
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Character Different Know Lacking Way
We tend to kind of write women out of history.
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Do we need to have a female Bond? Couldn’t we just make something new?
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I got a really good insight into the world of wrestling.
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Why aren’t there these epic roles for women, for whatever age you are?
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Every time ‘Lady Macbeth’ and everyone involved in the film gets nominated, it’s amazing.
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I love watching faces as they grow up. It’s the difference between so many strong British actresses compared to what America does to women.
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I’ve been told to be skinny before – it’s already happened, but it’s up to you to either listen or say no. I’m not listening.
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I played Mary at the age of seven in my first nativity play, and I loved it – there is something so fascinating about embodying someone else.
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There was one moment when I was in L.A., and he was teaching me a move. I just looked at him, thinking, ‘Oh my God, I’m being taught to wrestle by Dwayne Johnson. What the hell?’
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My dad still collects newspaper clippings about me.
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I have learned how to wrestle. You end up battered and blue – but so happy.
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When you’re given a platform, and you’re allowed to perform, and someone’s there to heighten you as opposed to dampen you, that’s a nice feeling.
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What audiences love with series is that they can invest in characters for such a long period of time, and it’s the same for actors. You can truly tell your story; then it’s done.
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I love Le Carre’s writing.
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