People often ask whether marriage has changed me. I didn’t marry because I had to change.
FAHADH FAASILI like movies made by Spike Lee – doing those films out of the U.S., that is really daring.
More Fahadh Faasil Quotes
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I feel that entertainment happens when fact and fiction is balanced.
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All I want to do is to make movies that are appealing to people.
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I’ve done only things I’ve liked, and I’m happy that others have liked them, too. I hope it keeps going that way. But l would never want to do films which please just one set of audience; they should connect with everyone.
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In Malayalam, I can improvise, and acting is easy because I think in Malayalam, but for ‘Velaikkaran,’ I had to prepare for a role, which is a first for me.
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When I listen to a basic thought, I try to visualise the cinema in it. Sometimes it is dark, sometimes boyish, sometimes amateurish. It is a trial and error method. But the bottom line is that I want to entertain the audience.
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Mohan Raja is an interesting filmmaker. He is constantly, if I may use the word, contradicting himself. He explains a scene, and then he will try to break that and rebuild it. That, to me, is filmmaking. Every scene is constructed after a lot of discussions.
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When you are talking about human emotions, stardom doesn’t matter.
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My thought process is in Malayalam. So, every time I have to work outside Malayalam, the process is a little stressful. I have to translate my Malayalam thoughts into English and back to Tamil.
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My father hasn’t backed me in any way, and I don’t think anybody has backed me.
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I wasn’t really sure about the kind of films I wanted to be a part of. That’s when I saw ‘Aaranya Kaandam.’ I was stunned; it was such a stylish film.
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Whenever I have really enjoyed being part of a film, it has worked well for me.
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It feels good to hear good things about yourself.
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The less people know about you, the more you understand how beautiful life is. It’s good when you exist only on screen. I don’t want them to take me home. I love to have my privacy.
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I try to choose characters that don’t remind the audience of my previous roles. I make a conscious effort for that.
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What I look for in a project is whether the storyline excites me.
FAHADH FAASIL