Mohan Raja is an interesting filmmaker. He is constantly, if I may use the word, contradicting himself. He explains a scene, and then he will try to break that and rebuild it. That, to me, is filmmaking. Every scene is constructed after a lot of discussions.
People know me through my characters. I don’t think they have any idea about the individual that I am. They know I am a director’s son, and I am married to an actress.
As an actor, you create a character from your understanding of what you have heard and your observations. Eventually, every film is an extension of the images that I have seen or what I have heard or read somewhere.
The five directors in ‘5 Sundarikal’ experimented, and it was a very personal exercise. Amal, Anwar, Aashiq, and Sameer have done things that they have never done before. Debutant Shyju has also made a beautiful film.
In Malayalam, I can improvise, and acting is easy because I think in Malayalam, but for ‘Velaikkaran,’ I had to prepare for a role, which is a first for me.
