Is it possible that even happy moments of pleasure never stand up to a rigorous examination? Possible.
ELENA FERRANTEWriters, because they write, are condemned never to be readers of their own stories…The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
More Elena Ferrante Quotes
-
-
Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.
ELENA FERRANTE -
I don’t have any special passion for politics, it being a never-ending merry-go-round of bosses big and small, all generally mediocre. I actually find it boring.
ELENA FERRANTE -
I didn’t choose anonymity.Instead, I chose absence.
ELENA FERRANTE -
At most, I may write when I am disturbed by something. I have recently discovered the pleasure of finding written answers to written questions.
ELENA FERRANTE -
He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.
ELENA FERRANTE -
It’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
ELENA FERRANTE -
I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.
ELENA FERRANTE -
The rules say that to tell a story you need first of all a measuring stick.
ELENA FERRANTE -
The circle of an empty day is brutal and at night it tightens around your neck like a noose
ELENA FERRANTE -
Women, in all fields – whether mothers or not – still encounter an extraordinary number of obstacles. They have to hold too many things together and often sacrifice their aspirations in the name of affections.
ELENA FERRANTE -
Competition between women is good only if it does not prevail; that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.
ELENA FERRANTE -
As a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.
ELENA FERRANTE -
I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.
ELENA FERRANTE -
Certainly something had happened to me during the night. Or after months of tension I had arrived at the edge of some precipice and now I was falling, as in a dream slowly, even as I continued to hold the thermometer in my hand, een as I stood with the soles of my slippers on the floor.
ELENA FERRANTE -
There was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable.
ELENA FERRANTE