I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.
ELENA FERRANTEThere was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable.
More Elena Ferrante Quotes
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Existence is this, I thought, a start of joy, a stab of pain, an intense pleasure, veins that pulse under the skin, there is no other truth to tell.
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Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.
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Climbing the economic ladder has been very hard for me; I still feel a great deal of guilt towards those I left behind.
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The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
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The essential, however, was to know how to play, and she and I, only she and I, knew how to do it.
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We lie in order to tolerate our existence and, most of all, we lie to ourselves.
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Competition between women is good only if it does not prevail; that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.
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Writers, because they write, are condemned never to be readers of their own stories…The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
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My work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.
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It’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
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Even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
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A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
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Those who write need that “willing suspension of disbelief “, as Coleridge called it.
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As a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.
ELENA FERRANTE -
There was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable.
ELENA FERRANTE