I had to discover very quickly that class origins cannot be erased, regardless of whether we climb up or down the sociocultural ladder.
ELENA FERRANTEThere was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable.
More Elena Ferrante Quotes
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I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.
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Those who write need that “willing suspension of disbelief “, as Coleridge called it.
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I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.
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Certainly something had happened to me during the night. Or after months of tension I had arrived at the edge of some precipice and now I was falling, as in a dream slowly, even as I continued to hold the thermometer in my hand, een as I stood with the soles of my slippers on the floor.
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A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
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In order not to cut out a large part of one’s private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.
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I don’t have any special passion for politics, it being a never-ending merry-go-round of bosses big and small, all generally mediocre. I actually find it boring.
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My work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.
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He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.
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The essential, however, was to know how to play, and she and I, only she and I, knew how to do it.
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Women, in all fields – whether mothers or not – still encounter an extraordinary number of obstacles. They have to hold too many things together and often sacrifice their aspirations in the name of affections.
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Even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
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There was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable.
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The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
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We lie in order to tolerate our existence and, most of all, we lie to ourselves.
ELENA FERRANTE