The essential, however, was to know how to play, and she and I, only she and I, knew how to do it.
ELENA FERRANTEA calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
More Elena Ferrante Quotes
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I don’t have any special passion for politics, it being a never-ending merry-go-round of bosses big and small, all generally mediocre. I actually find it boring.
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I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.
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My work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.
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He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.
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I believe that books, once they are written, have no need of their authors.
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The circle of an empty day is brutal and at night it tightens around your neck like a noose
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I had to discover very quickly that class origins cannot be erased, regardless of whether we climb up or down the sociocultural ladder.
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Those who write need that “willing suspension of disbelief “, as Coleridge called it.
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Women, in all fields – whether mothers or not – still encounter an extraordinary number of obstacles. They have to hold too many things together and often sacrifice their aspirations in the name of affections.
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I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.
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In order not to cut out a large part of one’s private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.
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Existence is this, I thought, a start of joy, a stab of pain, an intense pleasure, veins that pulse under the skin, there is no other truth to tell.
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I didn’t choose anonymity.Instead, I chose absence.
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I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.
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The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
ELENA FERRANTE