I don’t have any special passion for politics, it being a never-ending merry-go-round of bosses big and small, all generally mediocre. I actually find it boring.
ELENA FERRANTEA calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
More Elena Ferrante Quotes
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Climbing the economic ladder has been very hard for me; I still feel a great deal of guilt towards those I left behind.
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I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.
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I didn’t choose anonymity.Instead, I chose absence.
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Existence is this, I thought, a start of joy, a stab of pain, an intense pleasure, veins that pulse under the skin, there is no other truth to tell.
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Anonymity lets me concentrate exclusively on writing.
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As a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.
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At most, I may write when I am disturbed by something. I have recently discovered the pleasure of finding written answers to written questions.
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The essential, however, was to know how to play, and she and I, only she and I, knew how to do it.
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I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.
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There was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable.
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Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.
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Writers, because they write, are condemned never to be readers of their own stories…The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
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The circle of an empty day is brutal and at night it tightens around your neck like a noose
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The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
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A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
ELENA FERRANTE






