Existence is this, I thought, a start of joy, a stab of pain, an intense pleasure, veins that pulse under the skin, there is no other truth to tell.
ELENA FERRANTEThose who write need that “willing suspension of disbelief “, as Coleridge called it.
More Elena Ferrante Quotes
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As a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.
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A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
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Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.
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At most, I may write when I am disturbed by something. I have recently discovered the pleasure of finding written answers to written questions.
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There was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable.
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Women, in all fields – whether mothers or not – still encounter an extraordinary number of obstacles. They have to hold too many things together and often sacrifice their aspirations in the name of affections.
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I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
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It’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
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The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
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The rules say that to tell a story you need first of all a measuring stick.
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My work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.
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We lie in order to tolerate our existence and, most of all, we lie to ourselves.
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Writers, because they write, are condemned never to be readers of their own stories…The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
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Climbing the economic ladder has been very hard for me; I still feel a great deal of guilt towards those I left behind.
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I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.
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