I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.
ELENA FERRANTEEven as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
More Elena Ferrante Quotes
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He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.
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As a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.
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Women, in all fields – whether mothers or not – still encounter an extraordinary number of obstacles. They have to hold too many things together and often sacrifice their aspirations in the name of affections.
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Anonymity lets me concentrate exclusively on writing.
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I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.
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The circle of an empty day is brutal and at night it tightens around your neck like a noose
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I had to discover very quickly that class origins cannot be erased, regardless of whether we climb up or down the sociocultural ladder.
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Is it possible that even happy moments of pleasure never stand up to a rigorous examination? Possible.
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I didn’t choose anonymity.Instead, I chose absence.
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We lie in order to tolerate our existence and, most of all, we lie to ourselves.
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It’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
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I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
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Competition between women is good only if it does not prevail; that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.
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The essential, however, was to know how to play, and she and I, only she and I, knew how to do it.
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A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
ELENA FERRANTE