When money enters in – then, for a price, I become a liar – and a good one I can be whether with pencil or subtle lighting or viewpoint. I hate it all, but so do I support not only my family, but my own work.
EDWARD WESTONWhen money enters in – then, for a price, I become a liar – and a good one I can be whether with pencil or subtle lighting or viewpoint. I hate it all, but so do I support not only my family, but my own work.
EDWARD WESTONClouds, torsos, shells, peppers, trees, rocks, smoke stacks, are but interdependent, interrelated parts of a whole, which is life.
EDWARD WESTONArt is based on order. The world is full of ‘sloppy Bohemians’ and their work betrays them.
EDWARD WESTONA lifetime can well be spent correcting and improving one’s own faults without bothering about others.
EDWARD WESTONIf I have any ‘message’ worth giving to a beginner it is that there are no short cuts in photography.
EDWARD WESTONResults alone should be appraised; the way in which these are achieved is of importance only to the maker.
EDWARD WESTONI want the stark beauty that a lens can so exactly render presented without interference of artistic effect.
EDWARD WESTON……so called “composition” becomes a personal thing, to be developed along with technique, as a personal way of seeing.
EDWARD WESTONNo photographer is better than the simplest of cameras
EDWARD WESTONI am not limiting myself to theories, so I never question the rightness to my approach.
EDWARD WESTONThis then: to photograph a rock, have it look like a rock, but be more than a rock.
EDWARD WESTONWhy limit yourself to what your eyes see when you have an opportunity to extend your vision?
EDWARD WESTONTo see the Thing itself is essential: the quintessence revealed direct without the fog of impressionism… This then: to photograph a rock, have it look like a rock, but be more than a rock. Significant presentation – not interpretation.
EDWARD WESTONIt’s hard not to tell the truth with a camera. Artists are particularly good at that.
EDWARD WESTON“Only with effort can the camera be forced to lie: basically it is an honest medium: so the photographer is much more likely to approach nature in a spirit of inquiry, of communion, instead of with the saucy swagger of self-dubbed “artists”.”
EDWARD WESTONMy own eyes are no more than scouts on a preliminary search, for the camera’s eye may entirely change my idea, even switch me to different subject matter. So I start out with my mind as free from image as the silver film on which I am to record, and I hope as sensitive.
EDWARD WESTON