The camera should be used for a recording of life, for rendering the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh.
EDWARD WESTONThe camera should be used for a recording of life, for rendering the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh.
EDWARD WESTONI see no reason for recording the obvious.
EDWARD WESTONIf I am interested, amazed, stimulated to work, that is sufficient reason to thank the gods, and go ahead!
EDWARD WESTONArt is based on order. The world is full of ‘sloppy Bohemians’ and their work betrays them.
EDWARD WESTONWhy limit yourself to what your eyes see when you have an opportunity to extend your vision?
EDWARD WESTONI want the stark beauty that a lens can so exactly render presented without interference of artistic effect.
EDWARD WESTONTo see the Thing itself is essential: the quintessence revealed direct without the fog of impressionism… This then: to photograph a rock, have it look like a rock, but be more than a rock. Significant presentation – not interpretation.
EDWARD WESTONClouds, torsos, shells, peppers, trees, rocks, smoke stacks, are but interdependent, interrelated parts of a whole, which is life.
EDWARD WESTONFor the obvious reason that nature – unadulterated and unimproved by man – is simply chaos. In fact, the camera proves that nature is crude and lacking in arrangement.
EDWARD WESTONThe painters have no copyright on modern art!… I believe in, and make no apologies for, photography: it is the most important graphic medium of our day. It does not have to be, indeed cannot be – compared to painting – it has different means and aims.
EDWARD WESTONIs love like art – something always ahead, never quite attained.
EDWARD WESTON……so called “composition” becomes a personal thing, to be developed along with technique, as a personal way of seeing.
EDWARD WESTONTo compose a subject well means no more than to see and present it in the strongest manner possible.
EDWARD WESTONI was extravagant in the matter of cameras – anything photographic – I had to have the best. But that was to further my work. In most things I have gone along with the plainest – or without.
EDWARD WESTONResults alone should be appraised; the way in which these are achieved is of importance only to the maker.
EDWARD WESTONIt’s hard not to tell the truth with a camera. Artists are particularly good at that.
EDWARD WESTON