Clouds, torsos, shells, peppers, trees, rocks, smoke stacks, are but interdependent, interrelated parts of a whole, which is life.
EDWARD WESTONWhy limit yourself to what your eyes see when you have an opportunity to extend your vision?
More Edward Weston Quotes
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Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it my be.
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This then: to photograph a rock, have it look like a rock, but be more than a rock.
EDWARD WESTON -
I want the stark beauty that a lens can so exactly render presented without interference of artistic effect.
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I was extravagant in the matter of cameras – anything photographic – I had to have the best. But that was to further my work. In most things I have gone along with the plainest – or without.
EDWARD WESTON -
……so called “composition” becomes a personal thing, to be developed along with technique, as a personal way of seeing.
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Is love like art – something always ahead, never quite attained.
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The camera should be used for a recording of life, for rendering the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh.
EDWARD WESTON -
To see the Thing itself is essential: the quintessence revealed direct without the fog of impressionism… This then: to photograph a rock, have it look like a rock, but be more than a rock. Significant presentation – not interpretation.
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I am not limiting myself to theories, so I never question the rightness to my approach.
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No photographer is better than the simplest of cameras
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The great scientist dares to differ from accepted ‘facts’ – think irrationally – let the artist do likewise.
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A photograph has no value unless it looks exactly like a photograph and nothing else.
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…the pepper is beginning to show signs of strain, and tonight should grace a salad. It has been suggested that I am a cannibal to eat my models.
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Dare to be irrational! – keep free from formulas, open to any fresh impulse, fluid.
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My own eyes are no more than scouts on a preliminary search, for the camera’s eye may entirely change my idea, even switch me to different subject matter. So I start out with my mind as free from image as the silver film on which I am to record, and I hope as sensitive.
EDWARD WESTON