…the pepper is beginning to show signs of strain, and tonight should grace a salad. It has been suggested that I am a cannibal to eat my models.
EDWARD WESTON…the pepper is beginning to show signs of strain, and tonight should grace a salad. It has been suggested that I am a cannibal to eat my models.
EDWARD WESTONMy own eyes are no more than scouts on a preliminary search, for the camera’s eye may entirely change my idea, even switch me to different subject matter. So I start out with my mind as free from image as the silver film on which I am to record, and I hope as sensitive.
EDWARD WESTONClouds, torsos, shells, peppers, trees, rocks, smoke stacks, are but interdependent, interrelated parts of a whole, which is life.
EDWARD WESTONIs love like art – something always ahead, never quite attained.
EDWARD WESTON…through this photographic eye you will be able to look out on a new light-world, a world for the most part uncharted and unexplored, a world that lies waiting to be discovered and revealed.
EDWARD WESTONMy true program is summed up in one word: life. I expect to photograph anything suggested by that word which appeals to me.
EDWARD WESTONA photograph has no value unless it looks exactly like a photograph and nothing else.
EDWARD WESTONThe great scientist dares to differ from accepted ‘facts’ – think irrationally – let the artist do likewise.
EDWARD WESTONAnything more than 500 yards from the car just isn’t photogenic.
EDWARD WESTONIt’s hard not to tell the truth with a camera. Artists are particularly good at that.
EDWARD WESTONI always work better when I do not reason, when no question of right or wrong enter in,-when my pulse quickens to the form before me without hesitation nor calculation.
EDWARD WESTONI am not limiting myself to theories, so I never question the rightness to my approach.
EDWARD WESTONI want the stark beauty that a lens can so exactly render presented without interference of artistic effect.
EDWARD WESTONA lifetime can well be spent correcting and improving one’s own faults without bothering about others.
EDWARD WESTONI was extravagant in the matter of cameras – anything photographic – I had to have the best. But that was to further my work. In most things I have gone along with the plainest – or without.
EDWARD WESTONThis then: to photograph a rock, have it look like a rock, but be more than a rock.
EDWARD WESTON