I do not paint what I see, but what I saw.
EDVARD MUNCHNature is not only all that is visible to the eye. it also includes the inner pictures of the soul.
More Edvard Munch Quotes
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Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
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My breakthrough came very late in life, really only starting when I was 50. I had the strength for new deeds and ideas.
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I should have considered it wrong to have finished the Frieze before the room for its accommodation and the funds for its completion were available.
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Without fear and disease, my life would be like a boat without oars.
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If what you want to paint is the emotive mood in all its strength then you must not sit and stare at everything and depict it exactly as one sees it.
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One can easily tell that the creator of the paintings in the Sistine Chapel was above all a sculptor.
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Nature is not only all that is visible to the eye. it also includes the inner pictures of the soul.
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The viewers must come to understand the sacredness of painting, so they will remove their hats as if they were in church.
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In my childhood I always felt that I was treated unjustly, without a mother, sick, and with the threat of punishment in Hell hanging over my head.
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Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it.
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When I paint, I never think of selling. People simply fail to understand that we paint in order to experiment and to develop ourselves as we strive for greater heights.
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No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love.
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There is a battle that goes on between men and women. Many people call it love.
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A person himself believes that all the other portraits are good likenesses except the one of himself.
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It is better to have a good painting with ten holes than ten bad paintings without any holes.
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I was walking along the road with two friends. The sun set. I felt a tinge of melancholy. Suddenly the sky became a bloody red. I stood there, trembling with fright. And I felt a loud, unending scream piercing nature.
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I have no fear of photography as long as it cannot be used in heaven and in hell.
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For as long as I can remember I have suffered from a deep feeling of anxiety which I have tried to express in my art.
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The way one sees is also dependent upon one’s emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting.
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Some colors reconcile themselves to one another, others just clash.
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Without fear and illness, I could never have accomplished all I have.
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I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.
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The Academies of Art are nothing but great painting factories – those with talent are fed in at one end, and they come out as mechanical painting machines.
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I do not believe in the art which is not the compulsive result of man’s urge to open his heart.
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Death is pitch-dark, but colors are light. To be a painter, one must work with rays of light.
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All art, literature, and music must be born in your heart’s blood. Art is your heart’s blood.
EDVARD MUNCH