The rich man who gives, steals twice over. First he steals the money and then the hearts of men.
EDVARD MUNCHThrough my art I have tried to explain my life and its meaning. I have also intended to help others to clarify their lives.
More Edvard Munch Quotes
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One can easily tell that the creator of the paintings in the Sistine Chapel was above all a sculptor.
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My breakthrough came very late in life, really only starting when I was 50. I had the strength for new deeds and ideas.
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I have no fear of photography as long as it cannot be used in heaven and in hell.
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I don’t believe in an art that is not born out of man’s need to open his heart.
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When I paint a person, his enemies always find the portrait a good likeness.
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The Academies of Art are nothing but great painting factories – those with talent are fed in at one end, and they come out as mechanical painting machines.
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If what you want to paint is the emotive mood in all its strength then you must not sit and stare at everything and depict it exactly as one sees it.
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Without anxiety and illness I would have been like a ship without a rudder.
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No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love.
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The camera will never compete with the brush and the palette, until such time as photographs can be taken in Heaven or Hell.
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I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.
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The viewers must come to understand the sacredness of painting, so they will remove their hats as if they were in church.
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There is a battle that goes on between men and women. Many people call it love.
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Disease, insanity, and death were the angels that attended my cradle, and since then have followed me throughout my life.
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Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
EDVARD MUNCH