Indecision is the most unsexy thing on the planet. I don’t know if I’m sexy but I think decisiveness is sexy. I also lose trust and faith in them when I realise I’m a bit on my own and that’s a very disheartening feeling.
I love the world through glass. The more old, dusty and tainted that glass is, the prettier and more impressionistic that is to me. I don’t need to see everything perfectly. I don’t like it.
Beauty is so within. I don’t care if you’re the most attractive person on the planet…if you’re not good inside, it will show. You fall in love with people from the inside out.
California is an unbelievable state. One day I might be in a spiritual place like Joshua Tree, then before I know it, I’m eating groovy sushi in a mini-mall. I’m a Cali girl through and through.
No matter what the genre, I want to see me and my friends. I want to see reality. I want to see what we’re really like. I loved ‘Bridesmaids’. I thought it was the most honest portrayal of female friendship in such a long time.
Sometimes you come to a point where there’s nothing more you can do. You love and respect each other, but it’s not working. So you amicably decide to part. I don’t know what the future holds: a lot of people get back together after they break up.
One thing that got me started on it was the jean jacket. It’s an item that could make you believe you’re in the 50s or punk-rock 70s or grunge 90s. I was really focused on timelessness, and I think music is very timeless.
I don’t like working by a monitor. I stand right next to the camera, and I’m very performance-oriented. That really means everything to me, whether it’s doing an improv of a joke or an emotional scene, and everything in between.
I remember being on film sets when I was younger, and only men got to do the cool action movies. So I thought, ‘Maybe I’ll get to produce one day and get to do cool stuff too,’ which is what happened when we did ‘Charlie’s Angels.’ Starting my production company was a big turning point for me.
