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I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.

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Neck Over Photographer Realize Take You

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To me, beauty appears when one feels deeply, and art is an act of total attention.
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I believe that what we call beautiful is generally a by-product.
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We know by now how to photograph poor people. What we don’t know is how to photograph affluence – whose other face is poverty.
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I trust my instincts. I don’t distrust them. They haven’t led me astray. It’s when I’ve made up my mind to be efficient that is when I have gone wrong.
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To live a visual life is an enormous undertaking, practically unattainable. I have only touched it, just touched it.
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Photographers stop photographing a subject too soon before they have exhausted the possibilities.
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I believe in living with the camera, and not using the camera.
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go in over your head, not just up to your neck.
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Go Head Neck Need Over Passion
While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see.
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One should really use the camera as though tomorrow you’d be stricken blind.
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Photography today appears to be in a state of flight… The familiar is made strange, the unfamiliar grotesque. The amateur forces his Sundays into a series of unnatural poses.
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Appear Fight Photography State Sunday Today
Photography is a lot like telling a large predatory cat what to do-while an audience of people you can’t see watches you.
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Life, for people, begins to crumble on the edges; they don’t realize it.
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Bring the viewer to your side, include him in your thought. He is not a bystander.
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You go into a room and you know where you’re welcome; you know where you’re unwelcome.
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To know ahead of time what you’re looking for means you’re then only photographing your own preconceptions, which is very limiting, and often false.
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Ahead Along False Know Limit Look Mean Own Photographer Photography Preconception Put

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