I write music, it’s performed. After all, my music says it all. It doesn’t need historical and hysterical commentaries. In the long run, any words about music are less important than the music.
The best way to hold on to something is to pay no attention to it. The things you love too much perish. You have to treat everything with irony, especially the things you hold dear. There’s more of a chance then that they’ll survive.
I feel eternal pain for those who were killed by Hitler, but I feel no less pain for those killed on Stalin’s orders. I suffer for everyone who was tortured, shot, or starved to death.
I don’t know what will become of this piece. Our brave critics will no doubt charge me with imitating Ravel’s Bolero. Too bad – this is how I hear war.
Every piece of music is a form of personal expression for its creator. If a work doesn’t express the composers own personal point of view, his own ideas, then it doesn’t, in my opinion, even deserve to be born.
What can be considered human emotions? Surely not only lyricism, sadness, tragedy? Doesn’t laughter also have a claim to that lofty title? I want to fight for the legitimate right of laughter in “serious” music.
