Those who have ears to hear, will hear.
DMITRI SHOSTAKOVICHStravinsky the composer I worship. Stravinsky the thinker I despise.
More Dmitri Shostakovich Quotes
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A creative artist works on his next composition because he was not satisfied with his previous one.
DMITRI SHOSTAKOVICH -
I feel eternal pain for those who were killed by Hitler, but I feel no less pain for those killed on Stalin’s orders. I suffer for everyone who was tortured, shot, or starved to death.
DMITRI SHOSTAKOVICH -
A great piece of music is beautiful regardless of how it is performed.
DMITRI SHOSTAKOVICH -
I always try to make myself as widely understood as possible; and if I don’t succeed, I consider it my own fault.
DMITRI SHOSTAKOVICH -
What you have in your head, put down on paper. The head is a fragile vessel.
DMITRI SHOSTAKOVICH -
The best way to hold on to something is to pay no attention to it. The things you love too much perish. You have to treat everything with irony, especially the things you hold dear. There’s more of a chance then that they’ll survive.
DMITRI SHOSTAKOVICH -
Our business is rejoicing, our business is rejoicing.
DMITRI SHOSTAKOVICH -
He fell like a chicken into the soup.
DMITRI SHOSTAKOVICH -
Stravinsky the composer I worship. Stravinsky the thinker I despise.
DMITRI SHOSTAKOVICH -
I don’t know what will become of this piece. Our brave critics will no doubt charge me with imitating Ravel’s Bolero. Too bad – this is how I hear war.
DMITRI SHOSTAKOVICH -
Real music is always revolutionary, for it cements the ranks of the people; it arouses them and leads them onward.
DMITRI SHOSTAKOVICH -
I live in the USSR, work actively and count naturally on the worker and peasant spectator. If I am not comprehensible to them I should be deported.
DMITRI SHOSTAKOVICH -
If they cut off both hands, I will compose music anyway holding the pen in my teeth.
DMITRI SHOSTAKOVICH -
When a man is in despair, it means that he still believes in something.
DMITRI SHOSTAKOVICH -
The most uninteresting part of the biography of a composer is his childhood. All those preludes are the same and the reader hurries on to the fugue.
DMITRI SHOSTAKOVICH