I hate albums that are really happy. When I am really happy, I don’t like to hear happy albums, and when I am really sad I don’t wanna hear happy albums… and I tend to gravitate towards the lonely and isolated anyway when I write.
I have found myself deeply, deeply intrigued by the ska-punk scene. It’s such an expressive form of popular music, it’s so real, it’s got so much life: it’s the most vital music in the world.
And these children that you spit on as they try to change their worlds are immune to your consultations. They’re quite aware of what they’re going through.
