I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.
DARREN ARONOFSKYGod can be found anywhere, and in fact, everywhere. And you don
More Darren Aronofsky Quotes
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I spent about a year and a half doing technical post work on ‘The Fountain’. Although I do like the process, I think my favorite part of filmmaking is the actors.
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For too long we have been taking, and the Earth has been giving. But that free-for-all, that all-you-can-eat buffet, it’s over. The salad bar is closed.
DARREN ARONOFSKY -
God can be found anywhere, and in fact, everywhere. And you don
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I think religion is often very different from spirituality. Religion is often about rules and people trying to control our lives who are actually very unspiritual…
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Now there is so much expertise and brainpower it’s hard to be at the cutting edge of what’s cool and not do something that’s totally geeky.
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I end up spending a tremendous amount of energy and time trying to get money to make these movies and it’s exhausting.
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I think it’s important as a filmmaker, as any person working in the arts, that you’ve got to try new stuff and challenge yourself and take chances.
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My god is narrative filmmaking.
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To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don’t think is a good ride.
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I was 12 or 13 years old. So I started to write poetry and fiction, even though I was really into biology because my dad was a science teacher. I kept writing all those years.
DARREN ARONOFSKY -
I’ve always wanted to introduce hip-hop filmmaking to film. There’s hip-hop art, dance, music, but there really isn’t hip-hop film. So I was trying to do that.
DARREN ARONOFSKY -
When I go to movies I generally want to be taken to another world.
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Also expressionistic filmmaking – making the audience feel like they were inside the characters’ heads. And so we create all these different types of techniques to put the audience there.
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That’s the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It’s upsetting because you get away from the core.
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I wasn’t a big fan of social anthropology. And, luckily, that created room for me to work in visual arts because I sort of ignored my requirements. I think I was attracted to social anthropology because I liked to travel and was always interested in far-off places.
DARREN ARONOFSKY