I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.
DARREN ARONOFSKYWhen people think about the ark, they’re always thinking about all the thousands of years of religious iconography of a ship with a bow and a deck, where Noah and the giraffes could walk around. In the actual written text it is basically described as a long, rectangular box.
More Darren Aronofsky Quotes
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I think that there’s an infinite amount of places where you can stick a camera. There’s an infinite amount of choices of what could be going on. There’s an infinite amount of places for so many things, so you have to figure out how to do your job.
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Now there is so much expertise and brainpower it’s hard to be at the cutting edge of what’s cool and not do something that’s totally geeky.
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If you think of that, as a parent, you know that if you have too much justice and you’re too strict, you destroy a child. If you have too much mercy, as a parent, you destroy a child as well. A big part of this movie is Noah finding mercy for man.
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I think it’s important as a filmmaker, as any person working in the arts, that you’ve got to try new stuff and challenge yourself and take chances.
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I think it’s my nature to try and make original content, and that’s what I’ve done, is just try and approach things in an original way, and do things differently.
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Animators have to live life 24 times as long as we do – every 24 frames of a second.
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I’m Godless. I’ve had to make my God, and my God is narrative filmmaking
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I was 12 or 13 years old. So I started to write poetry and fiction, even though I was really into biology because my dad was a science teacher. I kept writing all those years.
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For too long we have been taking, and the Earth has been giving. But that free-for-all, that all-you-can-eat buffet, it’s over. The salad bar is closed.
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I’ve always wanted to introduce hip-hop filmmaking to film. There’s hip-hop art, dance, music, but there really isn’t hip-hop film. So I was trying to do that.
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At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
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I think there’s something in collaboration – the fact that you can sit there and bounce ideas off of someone. It definitely matters who the person is, because certain people… T
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God can be found anywhere, and in fact, everywhere. And you don
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Also expressionistic filmmaking – making the audience feel like they were inside the characters’ heads. And so we create all these different types of techniques to put the audience there.
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I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.
DARREN ARONOFSKY