Human material seems to have one major defect: it does not like to be considered merely as human material. It finds it hard to endure the feeling that it must resign itself to passive acceptance of changes introduced from above.
CZESLAW MILOSZHuman material seems to have one major defect: it does not like to be considered merely as human material. It finds it hard to endure the feeling that it must resign itself to passive acceptance of changes introduced from above.
CZESLAW MILOSZYou see how I try To reach with words What matters most And how I fail.
CZESLAW MILOSZDo not feel safe. The poet remembers. You can kill one, but another is born. The words are written down, the deed, the date.
CZESLAW MILOSZBe young forever, seasons of the earth.
CZESLAW MILOSZIn a room where people unanimously maintain a conspiracy of silence, one word of truth sounds like a pistol shot.
CZESLAW MILOSZI think that I am here, on this earth, to present a report on it, but to whom I don’t know. As if I were sent so that whatever takes place has meaning because it changes into memory.
CZESLAW MILOSZA weak human mercy walks in the corridors of hospitals and is like a half-thawed winter.
CZESLAW MILOSZI liked beaches, swimming pools, and clinics for there they were the bone of my bone, flesh of my flesh. I pitied them and myself, but this will not protect me. The word and the thought are over.
CZESLAW MILOSZIt is impossible to communicate to people who have not experienced it the undefinable menace of total rationalism.
CZESLAW MILOSZI am not my own friend.Time cuts me in two.
CZESLAW MILOSZEven if that is so, there will remain A word wakened by lips that perish, A tireless messenger who runs and runs Through interstellar fields, through the revolving galaxies, And calls out, protests, screams.
CZESLAW MILOSZA true opium of the people is a belief in nothingness after death – the huge solace of thinking that for our betrayals, greed, cowardice, murders we are not going to be judged.
CZESLAW MILOSZMen will clutch at illusions when they have nothing else to hold to.
CZESLAW MILOSZEvery poet depends upon generations who wrote in his native tongue; he inherits styles and forms elaborated by those who lived before him. At the same time, though, he feels that those old means of expression are not adequate to his own experience.
CZESLAW MILOSZWhen I curse Fate, it’s not me, but the earth in me.
CZESLAW MILOSZHe returns years later, has no demands. He wants only one, most precious thing: To see, purely and simply, without name, Without expectations, fears, or hopes, At the edge where there is no I or not-I.
CZESLAW MILOSZ