It is better to have done something than to have been someone.
CLAUDE MONETIf only the weather would improve, there’d be hope of some work, but every day brings rain.
More Claude Monet Quotes
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I am enslaved to my work, always wanting the impossible, and never, I believe, have I been less favoured by the endlessly changeable weather.
CLAUDE MONET -
Listening only to my instincts, I discovered superb things.
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One day Boudin said to me, ‘Learn to draw well and appreciate the sea, the light, the blue sky.’ I took his advice.
CLAUDE MONET -
I still have a lot of pleasure doing them, but as time goes by I come to appreciate more clearly which paintings are good and which should be discarded.
CLAUDE MONET -
My life has been nothing but a failure.
CLAUDE MONET -
The effect of sincerity is to give one’s work the character of a protest. The painter, being concerned only with conveying his impression, simply seeks to be himself and no one else.
CLAUDE MONET -
I’m in fine fettle and fired with a desire to paint.
CLAUDE MONET -
I am good at only two things, and those are gardening and painting.
CLAUDE MONET -
I let a good many mistakes show through when fixing my sensations. It will always be the same and this is what makes me despair.
CLAUDE MONET -
Impressionism is only direct sensation. All great painters were less or more impressionists. It is mainly a question of instinct, and much simpler than [John Singer] Sargent thinks.
CLAUDE MONET -
My heart is forever in Giverny.
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Without the fog, London would not be a beautiful city. It is fog that gives it its magnificent amplitude its regular and massive blocks become grandiose in that mysterious mantle.
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I’ve said it before and can only repeat that I owe everything to Boudin and I attribute my success to him. I came to be fascinated by his studies, the products of what I call instantaneity.
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I despise the opinion of the press and the so-called critics.
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Despite my extremely modest prices, dealers and art lovers are turning their backs on me. It is very depressing to see the lack of interest shown in an art object which has no market value.
CLAUDE MONET