It’s very easy to leave when things go wrong, but to stick around and to basically give life to a town because of everything that it gave you generation after generation after generation, that to me is what defines a true American.
I’d love to remain a secret and still work, but I also want people to see the movies I’m in and get a higher profile because of that. I like to think that as long as you continue choosing diverse roles, you can avoid becoming predictable.
There are occasions when I’ve pretended to be in a firefight, and then there are people who have really been in a firefight. Clearly it’s absolutely ridiculous, and even disrespectful, to suggest that I understand what that is.
I feel like I’m pretty good but I don’t like to toot my own horn, you know. I want to let the work speak for itself and kind of move on to the next thing.
Research can be interesting, but it can be pointless as well. The realities of making a movie often are not conducive with that. I’m not knocking it. I love doing research myself, but I admit it doesn’t always add to the performance.
I’ll find myself having dinner with people and someone will mention something and I will say I was in that situation once. Then I’ll say, forget it, it was a scene I was in. That can get to be quite confusing.
All I’ve ever ended up with in terms of achievements is the movie, some really stupid anecdotes, a bunch of crosswords that I didn’t finish and maybe some old bicycle that I found lying around on set.
We are starting off with our own different characters and our own laws and everything, looking at Bruce Wayne and how he came to be the person that he was and how he comes to be this man that jumps around in the Bat suit.
Putting on weight is easy all the way through. But after the first couple of weeks, the novelty wears off very quickly, and your body is groaning and starting to really shout at you, saying, ‘Why? Why? Why? Why are you doing this?’
