At this point in time the war [ WWII] is close enough to still feel hotly personal to a writer, yet far enough away so that jingoism and heroics are no longer required.
CHRIS CLEAVEDeath, of course, is a refuge. It’s where you go when a new name, or a mask and cape, can no longer hide you from yourself. It’s where you run to when none of the principalities of your conscience will grant you asylum.
More Chris Cleave Quotes
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I am a woman built upon the wreckage of myself.
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A scar does not form on the dying. A scar means, I survived.
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My paternal grandmother drove ambulances during the regional Blitz, in Birmingham.
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A scar is never ugly. That is what the scar makers want us to think. A scar does not form on the dying. A scar means, I survived.
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Sad words are just another beauty. A sad story means, this storyteller is alive. The next thing you know something fine will happen to her, something marvelous, and then she will turn around and smile.
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We were exiles from reality that summer. We were refugees from ourselves.
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Still shaking, in the pew, I understood that it isn’t the dead we cry for. We cry for ourselves, and I didn’t deserve my own pity.
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We leave it up to books and movies to talk about WWII on our behalf.
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There’s what people say, and there’s what people mean, and I like to explore the difference between the two.
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Nobody has the time to sit down and explain the first world from first principles.
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Is it my fault if I do not look like an English girl and I do not talk like a Nigerian? Well, who says an English girl must have skin as pale as the clouds that float across her summers? Who says a Nigerian girl must speak in fallen English…?
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Death, of course, is a refuge. It’s where you go when a new name, or a mask and cape, can no longer hide you from yourself. It’s where you run to when none of the principalities of your conscience will grant you asylum.
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Sad words are just another beauty. A sad story means, this storyteller is alive
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Yet war doesn’t end with armistice, it only ends with forgiveness and reconciliation.
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Horror in your country is something you take a dose of to remind yourself that you are not suffering from it.
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I’m not happy with just repeating myself.
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I’m really interested in people’s decisions.
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I could not stop talking because now I had started my story, it wanted to be finished. We cannot choose where to start and stop. Our stories are the tellers of us.
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[My maternal grandmother ] was a teacher in London and elsewhere during the war, although the children she taught were not the “lost children” who feature in the novel – those come from my research.
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This is the forked tongue of grief again. It whispers in one ear: return to what you once loved best, and in the other ear it whispers, move on.
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This thing with being lovers, it isn’t like being married.
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And thus love makes fools of us all.
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To be well in your mind you have first to be free.
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I planned how I would kill myself in the time of Churchill (stand under bombs), Victoria (throw myself under a horse), and Henry the Eighth (marry Henry the Eighth)- Little Bee
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We no longer need to show people being brave: instead, we can examine how they became brave. We can assume that they didn’t start out that way. If we allow that they started out just like us, then their journey into courage becomes both more fascinating and more impressive.
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That is how we lived, happily and without hope. I was very young then, and I did not miss having a future because I did not know I was entitled to one.
CHRIS CLEAVE