I once wrote a story about a writer who could not write anymore, and my friend Tennessee Williams said, ‘How could you dare write that story, it’s the most frightening work I have ever read.’ I was pretty well sunk while I was writing it.
A fellow can’t live without giving his passive acceptance to meanness. Somebody wears his tail to a frazzle for every mouthful we eat and every stitch we wear-and nobody seems to know. Everybody is blind, dumb, and blunt-headed-stupid and mean.
Because in some men it is in them to give up everything personal at some time, before it ferments and poisons–throw it to some human being or some human idea. They have to.
For you see, when us people who know run into each other that’s an event. It almost never happens. Sometimes we meet each other and neither guesses that the other is one who knows. That’s a bad thing. It’s happened to me a lot of times. But you see there are so few of us.
This music was her-the real plain her…This music did not take a long time or a short time. It did not have anything to do with time going by at all. She sat with her arms around her legs, biting her salty knee very hard.
The Heart is a Lonely Hunter had such an illumination, beginning my long search for the truth of the story and flashing light into the long two years ahead.
