The appealing thing about comics: There literally is no budget in comics. You’re only limited by your imagination.
BRIAN K. VAUGHANPacifists are like vegans, I’m more of a vegetarian. I enjoy fish and occasional maulings.
More Brian K. Vaughan Quotes
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How is it possible that our parents lied to us?” “Lets see: Santa, the Tooth Fairy,the Easter bunny,um, God. You’re the prettiest kid in school. This wont hurt a bit. Your face will freeze like that…” “Everythings going to be alright.
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I write the book for one person – for Fiona [Staples, the artist]. I spend a lot of time just thinking how she’ll react to things and manipulating her into drawing perverse, horrific things. It’s a really weird job but I enjoy it.
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We’ve all seen lots of stories about a young protagonist having adventures, and usually they’re all boys, [and] there is sometimes a token female, or two.
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The longer I’ve been writing scripts, the more I find that you have to give the artist more leeway or else you’ll just be disappointed. You can’t force them to draw every image that’s in your head.
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To try and imagine that I’m another person is always going to be hard – whether I’m writing about a truck driver or someone who is gay, who’s trans, who is of a different ethnicity or creed. But it would be boring if I always had to write about myself and my limited viewpoint.
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Life is mostly just learning how to lose.
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I don’t start a story until I know where it’s going to end.
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Adaptations are great, but for me, comics have always been the destination, not a stepping-stone to get somewhere else.
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Some people are haunted by their pasts, but not my family. I mean, how can you be haunted by something that never really dies?
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I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls.
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It was interesting looking back at the ’80s and trying to find newspaper headlines from the time – the cliché of history repeating itself.
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Doesn’t matter if it’s personal or professional, a good partnership takes work.
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If a good editor will let me tell my story with the right artist, I’m happy.
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I mean, do you know what you get when you call a suicide hotline in New York city? A busy signal. Literally.
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I’m not afraid of the world. I’m afraid of a world without you.
BRIAN K. VAUGHAN